{"version":"1.0","provider_name":"Diptykmag","provider_url":"https:\/\/www.diptykmag.com\/en\/","author_name":"Fatine Elkharrim","author_url":"https:\/\/www.diptykmag.com\/en\/author\/fatine\/","title":"Abdessamad El Montassir Prefers Poetry to Slogans &#8212; Diptykmag","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"jx0wsnwoUD\"><a href=\"https:\/\/www.diptykmag.com\/en\/abdessamad-el-montassir-prefers-poetry-to-slogans\/\">Abdessamad El Montassir Prefers Poetry to Slogans<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.diptykmag.com\/en\/abdessamad-el-montassir-prefers-poetry-to-slogans\/embed\/#?secret=jx0wsnwoUD\" width=\"600\" height=\"338\" title=\"&#8220;Abdessamad El Montassir Prefers Poetry to Slogans&#8221; &#8212; Diptykmag\" data-secret=\"jx0wsnwoUD\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.diptykmag.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/07\/FBDM_Vernissages_CarolineDutrey_200526-3838.jpg","thumbnail_width":1500,"thumbnail_height":1000,"description":"By erasing everything that would tie the Sahara to a particular history or identity, the artist lets the plants, the stones, and the wind speak in its place. \u201cOn the Ruins, Stones Bloom\u201d is the most ambitious exhibition he has presented in France. By Basma Mansour Scenes from the exhibition \u201cOn the Ruins, Stones Bloom\u201d [&hellip;]"}