{"version":"1.0","provider_name":"Diptykmag","provider_url":"https:\/\/www.diptykmag.com\/en\/","author_name":"Fatine Elkharrim","author_url":"https:\/\/www.diptykmag.com\/en\/author\/fatine\/","title":"Bruno Boudjelal: A Geography of Detours &#8212; Diptykmag","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"XVnnL0jQ8G\"><a href=\"https:\/\/www.diptykmag.com\/en\/bruno-boudjelal-a-geography-of-detours\/\">Bruno Boudjelal: A Geography of Detours<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.diptykmag.com\/en\/bruno-boudjelal-a-geography-of-detours\/embed\/#?secret=XVnnL0jQ8G\" width=\"600\" height=\"338\" title=\"&#8220;Bruno Boudjelal: A Geography of Detours&#8221; &#8212; Diptykmag\" data-secret=\"XVnnL0jQ8G\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.diptykmag.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/07\/014-LAMBARENE-V1.jpg","thumbnail_width":1500,"thumbnail_height":1000,"description":"In French-speaking West Africa, the road is commonly referred to as \u201cle goudron.\u201d This concrete term, which refers to both an infrastructure and an experience, has become the central theme of Franco-Algerian photographer Bruno Boudjelal\u2019s project. Not as a straight line connecting Tangier to Cape Town, but as a discontinuous surface, crisscrossed by back-and-forth journeys, [&hellip;]"}