{"version":"1.0","provider_name":"Diptykmag","provider_url":"https:\/\/www.diptykmag.com\/en\/","author_name":"Fatine Elkharrim","author_url":"https:\/\/www.diptykmag.com\/en\/author\/fatine\/","title":"Lyon Biennale: From the Monumental to the Intimate &#8212; Diptykmag","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"GAKMTWYAmd\"><a href=\"https:\/\/www.diptykmag.com\/en\/lyon-biennale-from-the-monumental-to-the-intimate\/\">Lyon Biennale: From the Monumental to the Intimate<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.diptykmag.com\/en\/lyon-biennale-from-the-monumental-to-the-intimate\/embed\/#?secret=GAKMTWYAmd\" width=\"600\" height=\"338\" title=\"&#8220;Lyon Biennale: From the Monumental to the Intimate&#8221; &#8212; Diptykmag\" data-secret=\"GAKMTWYAmd\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.diptykmag.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/4.jpg","thumbnail_width":1500,"thumbnail_height":2000,"description":"For its 18th edition, the Lyon Biennale draws on artist Robert Filliou\u2019s concept of a \u201cpoetic economy\u201d to explore what gives value to materials, labor, and relationships. From the Grandes Locos to the Mus\u00e9e des Tissus, via the macLYON, curator Catherine Nichols has crafted an itinerary in which the works bring gestures, memories, and narratives [&hellip;]"}