{"version":"1.0","provider_name":"Diptykmag","provider_url":"https:\/\/www.diptykmag.com\/en\/","author_name":"Malak Yacoubi","author_url":"https:\/\/www.diptykmag.com\/en\/author\/malak\/","title":"Diptyk #70 &#8212; Diptykmag","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"JYVbg4v7zh\"><a href=\"https:\/\/www.diptykmag.com\/en\/shop\/diptyk-70\/\">Diptyk #70<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.diptykmag.com\/en\/shop\/diptyk-70\/embed\/#?secret=JYVbg4v7zh\" width=\"600\" height=\"338\" title=\"&#8220;Diptyk #70&#8221; &#8212; Diptykmag\" data-secret=\"JYVbg4v7zh\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.diptykmag.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2024\/12\/70-1.jpg","thumbnail_width":900,"thumbnail_height":900,"description":"Hiver 2024 L\u2019\u0153il \u00e9coute \u2013\u00a0Malala Andrialavidrazana, me\u0301tamorphose de l\u2019imagerie coloniale. Portfolio \u2013\u00a0Mustapha Azeroual, l\u2019abstraction comme que\u0302te d\u2019absolu. Story \u2013\u00a0Biennale de Dakar, pour en finir avec les oppressions syste\u0301miques. Portrait \u2013\u00a0 Bilal Hamdad, le choix du naturalisme. Dossier \u2013\u00a0Jeunes photographes en que\u0302te d\u2019e\u0301cosyste\u0300me. Reportage \u2013\u00a0Friche La Belle de Mai, la\u0300 ou\u0300 l\u2019art marocain se re\u0301invente. Analyse [&hellip;]"}