{"version":"1.0","provider_name":"Diptykmag","provider_url":"https:\/\/www.diptykmag.com\/en\/","author_name":"Fatine Elkharrim","author_url":"https:\/\/www.diptykmag.com\/en\/author\/fatine\/","title":"Tazmamart: Between Despair and Hope &#8212; Diptykmag","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"0bR8lJAelj\"><a href=\"https:\/\/www.diptykmag.com\/en\/tazmamart-between-despair-and-hope\/\">Tazmamart: Between Despair and Hope<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.diptykmag.com\/en\/tazmamart-between-despair-and-hope\/embed\/#?secret=0bR8lJAelj\" width=\"600\" height=\"338\" title=\"&#8220;Tazmamart: Between Despair and Hope&#8221; &#8212; Diptykmag\" data-secret=\"0bR8lJAelj\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.diptykmag.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/07\/couv-L-OISEAU-DE-TAZMAMART-HD-scaled.jpg","thumbnail_width":1811,"thumbnail_height":2560,"description":"L&#8217;oiseau de Tazmamart (The Bird of Tazmamart) is, above all, a project by a generation largely cut off from its history. Based on Ilyass Koundi\u2019s graduation project at the National Institute of Fine Arts in Tetouan and reworked in collaboration with the Alkhariqun collective and former political prisoner Ahmed Marzouki, this graphic novel broadly recounts [&hellip;]"}