{"id":18755,"date":"2026-09-03T14:38:55","date_gmt":"2026-09-03T14:38:55","guid":{"rendered":"https:\/\/www.diptykmag.com\/contemporary-art-whats-in-store-for-the-new-school-year\/"},"modified":"2026-10-12T14:39:29","modified_gmt":"2026-10-12T14:39:29","slug":"contemporary-art-whats-in-store-for-the-new-school-year","status":"publish","type":"post","link":"https:\/\/www.diptykmag.com\/en\/contemporary-art-whats-in-store-for-the-new-school-year\/","title":{"rendered":"Contemporary Art: What\u2019s in Store This Season"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"18755\" class=\"elementor elementor-18755 elementor-18652\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-5796290 e-flex e-con-boxed e-con e-parent\" data-id=\"5796290\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-760665b elementor-widget elementor-widget-text-editor\" data-id=\"760665b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><strong>From Rabat to Dakar, from Paris to Brussels, and all the way to Abu Dhabi, exhibitions, biennials, art fairs, and museum openings will set the pace for the coming months. Here\u2019s our selection of the must-see events this fall. <\/strong><\/p><p>By the editorial staff<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a2c37b8 elementor-widget elementor-widget-image\" data-id=\"a2c37b8\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1500\" height=\"938\" src=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Erfoud__Daoud_Aoulad-Syad.2e16d0ba.fill-1480x925-1.jpg\" class=\"attachment-full size-full wp-image-18761\" alt=\"Daoud Aoulad-Syad, Erfoud, 1983\n\u00a9 Daoud Aoulad-Syad\" srcset=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Erfoud__Daoud_Aoulad-Syad.2e16d0ba.fill-1480x925-1.jpg 1500w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Erfoud__Daoud_Aoulad-Syad.2e16d0ba.fill-1480x925-1-300x188.jpg 300w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Erfoud__Daoud_Aoulad-Syad.2e16d0ba.fill-1480x925-1-1024x640.jpg 1024w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Erfoud__Daoud_Aoulad-Syad.2e16d0ba.fill-1480x925-1-768x480.jpg 768w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Daoud Aoulad-Syad, <i>Erfoud<\/i>, 1983\n\u00a9 Daoud Aoulad-Syad\n<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1b316a7 elementor-widget elementor-widget-spacer\" data-id=\"1b316a7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c17a942 elementor-widget elementor-widget-text-editor\" data-id=\"c17a942\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><b>Daoud Aoulad-Syad at MMVI<\/b><\/p><p>In November, the Mohammed VI Museum is dedicating an exhibition to Daoud Aoulad-Syad, a leading figure in Moroccan photography. Since the 1980s, the photographer and filmmaker has turned his lens on Moroccan society, its fringes, and its popular culture. Fairground workers, street performers, and anonymous figures feature in a body of work that pays close attention to gestures, places, and everyday lives. This is an opportunity to (re)discover more than four decades of creative work.   <\/p><p><i>Daoud Aoulad-Syad, starting in November, MMVI, Rabat.  <\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-855bb9e elementor-widget elementor-widget-spacer\" data-id=\"855bb9e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0399e9f elementor-widget elementor-widget-image\" data-id=\"0399e9f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1500\" height=\"1813\" src=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/84851774_10158023791272920_99753385703505920_n.jpg\" class=\"attachment-full size-full wp-image-18757\" alt=\"Billie Eilish, photographie encadr\u00e9e \u00a9 Hassan Hajjaj, 2019\/1440. S\u00e9rie My Rockstars. Avec l\u2019aimable autorisation de Billie Eilish, Vogue US, 193 Gallery, Paris, et Hassan Hajjaj Studio.\" srcset=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/84851774_10158023791272920_99753385703505920_n.jpg 1500w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/84851774_10158023791272920_99753385703505920_n-248x300.jpg 248w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/84851774_10158023791272920_99753385703505920_n-847x1024.jpg 847w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/84851774_10158023791272920_99753385703505920_n-768x928.jpg 768w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/84851774_10158023791272920_99753385703505920_n-1271x1536.jpg 1271w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/84851774_10158023791272920_99753385703505920_n-300x363.jpg 300w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Billie Eilish, framed photograph \u00a9 Hassan Hajjaj, 2019\/1440. <i>\u201cMy Rockstars\u201d<\/i> series. Courtesy of Billie Eilish, Vogue US, 193 Gallery, Paris, and Hassan Hajjaj Studio.  \r\n<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c400fea elementor-widget elementor-widget-spacer\" data-id=\"c400fea\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c67a048 elementor-widget elementor-widget-text-editor\" data-id=\"c67a048\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><b>Hassan Hajjaj + Acid Arab <\/b><b>at the Cit\u00e9 de la Musique<\/b><\/p><p>Hajjaj, also known as \u201cAndy Wahloo\u201d\u2014a playful nickname coined by his friend Rachid Taha\u2014is presenting \u201cMy Rock Stars\u201d at the Mus\u00e9e de la Musique, a collection of pop portraits of the singers and musicians who have shaped his career. The exhibition features his famous series <i>Gnawa Connection<\/i>, begun in the 1990s, which pays homage to the great Gnawa masters. The props used by the artist in his compositions\u2014a clever repurposing of objects from consumer culture\u2014will \u201c<i> clash with the museum\u2019s instruments in a joyfully irreverent approach<\/i>,\u201d notes the Philharmonie. For its part, the electronic group Acid Arab presents a unique auditory journey.<\/p><p><i>Hassan Hajjaj + Acid Arab, <\/i><i>\u201cMy Rock Stars\u201d<\/i><i>, September 22, 2026, through April 25, 2027, <\/i><i>Mus\u00e9e de la Musique \u2013 Cit\u00e9 de la Musique, Paris. <\/i> <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f172279 elementor-widget elementor-widget-spacer\" data-id=\"f172279\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b89a2af elementor-widget elementor-widget-image\" data-id=\"b89a2af\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1500\" height=\"1000\" src=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/sheila-Hicks.jpg\" class=\"attachment-full size-full wp-image-18766\" alt=\"Sheila Hicks devant son \u0153uvre Saffron Sentinel (2017), fibres pigment\u00e9es (toutes les photos \u00a9 VG Bild-Kunst, Bonn 2024 ; photo : Katja Illner, courtesy de l\u2019artiste).\" srcset=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/sheila-Hicks.jpg 1500w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/sheila-Hicks-300x200.jpg 300w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/sheila-Hicks-1024x683.jpg 1024w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/sheila-Hicks-768x512.jpg 768w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Sheila Hicks in front of her work <i><i>Saffron Sentinel<\/i><\/i> (2017), pigmented fibers (all photos \u00a9 VG Bild-Kunst, Bonn 2024; photo: Katja Illner, courtesy of the artist).<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-39a98a7 elementor-widget elementor-widget-spacer\" data-id=\"39a98a7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-59ad7e1 elementor-widget elementor-widget-text-editor\" data-id=\"59ad7e1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><b>Sheila Hicks in Lille<\/b><\/p><p>A leading figure in textile art since the 1960s, Sheila Hicks is taking over the Atrium of the Palais des Beaux-Arts in Lille this fall with a new work. This exhibition holds special significance for Morocco: in 1971, at the invitation of the Moroccan government, the artist traveled throughout the country to study its textile traditions, before presenting her research at the Bab Rouah Gallery in Rabat. <\/p><p><i>Sheila Hicks, <\/i>\u201cAu-del\u00e0\u201d<i>, October 9, 2026, through March 8, 2027, Palais des Beaux-Arts, Lille. <\/i> <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-283ce58 elementor-widget elementor-widget-spacer\" data-id=\"283ce58\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8a7b48c elementor-widget elementor-widget-image\" data-id=\"8a7b48c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"2000\" src=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/dakar_Sakoura-16.jpg\" class=\"attachment-full size-full wp-image-18760\" alt=\"Vue de l&apos;exposition internationale de la Biennale de Dakar \u00e9dition 2024.\" srcset=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/dakar_Sakoura-16.jpg 1500w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/dakar_Sakoura-16-225x300.jpg 225w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/dakar_Sakoura-16-768x1024.jpg 768w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/dakar_Sakoura-16-1152x1536.jpg 1152w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/dakar_Sakoura-16-300x400.jpg 300w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">View of the 2024 Dakar Biennale international exhibition.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b57e520 elementor-widget elementor-widget-spacer\" data-id=\"b57e520\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8c9812e elementor-widget elementor-widget-text-editor\" data-id=\"8c9812e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><b>The 16th Dakar Biennale<\/b><\/p><p>Announced in June for November, the 16th edition of the Dakar Biennale is being organized on a particularly tight schedule. The list of selected artists, expected in mid-September, remains unknown. Attention is therefore focused on its artistic director, Morad Montazami, an art historian and curator who has worked at the Tate Modern, among other institutions, and who is tasked with bringing coherence to this highly anticipated edition.  <\/p><p><i>Dakar Biennale, November 19\u2013December 19, 2026, Dakar.  <\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-51468d8 elementor-widget elementor-widget-spacer\" data-id=\"51468d8\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-cbcdf8c elementor-widget elementor-widget-image\" data-id=\"cbcdf8c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"1000\" src=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/ibrahim-mahama-portrait-photos-by-art-outreach-singapore-courtesy-of-the-artist-apalazzogallery-and-white-cube-.jpg\" class=\"attachment-full size-full wp-image-18763\" alt=\"Portrait d&apos;Ibrahim Mahama, photo par Art Outreach Singapore. Courtesy de l&apos;artiste, APALAZZOGALLERY et White Cube.\" srcset=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/ibrahim-mahama-portrait-photos-by-art-outreach-singapore-courtesy-of-the-artist-apalazzogallery-and-white-cube-.jpg 1500w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/ibrahim-mahama-portrait-photos-by-art-outreach-singapore-courtesy-of-the-artist-apalazzogallery-and-white-cube--300x200.jpg 300w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/ibrahim-mahama-portrait-photos-by-art-outreach-singapore-courtesy-of-the-artist-apalazzogallery-and-white-cube--1024x683.jpg 1024w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/ibrahim-mahama-portrait-photos-by-art-outreach-singapore-courtesy-of-the-artist-apalazzogallery-and-white-cube--768x512.jpg 768w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Portrait of Ibrahim Mahama, photo by Art Outreach Singapore. Courtesy of the artist, APALAZZOGALLERY, and White Cube. <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f72df30 elementor-widget elementor-widget-spacer\" data-id=\"f72df30\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b64239f elementor-widget elementor-widget-text-editor\" data-id=\"b64239f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><b>Ibrahim Mahama at the Cartier Foundation<\/b><\/p><p>For his first major exhibition in the Fondation Cartier\u2019s new building, Ibrahim Mahama brings together previously unseen works and iconic installations exploring the political, cultural, and social utopias that emerged during the era of African independence. Among them, <i><i>Parliament of Ghosts<\/i><\/i>, a large-scale installation conceived as a phantom parliamentary chamber, explores Ghana\u2019s political history. True to a practice rooted in collaboration and knowledge-sharing, the Ghanaian artist invites nine other artists to engage in a dialogue with his work, including James Barnor, Gideon Appah, and Zohra Opoku.<\/p><p><i>Ibrahim Mahama, <\/i>\u201cThe Harvest Season\u201d<i>, October 22, 2026, through February 28, 2027, Fondation Cartier, Paris. <\/i> <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-41446ab elementor-widget elementor-widget-spacer\" data-id=\"41446ab\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7076bcf elementor-widget elementor-widget-image\" data-id=\"7076bcf\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"1787\" src=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Capture-decran-2026-09-03-a-14.38.00.jpg\" class=\"attachment-full size-full wp-image-18759\" alt=\"Kerry James Marshall, Untitled, 2008. Acrylique sur panneau PVC, 184,8 \u00d7 155,6 cm. Harvard Art Museums\/Fogg Museum, Cambridge, Massachusetts. Richard Norton Memorial Fund et acquisition gr\u00e2ce \u00e0 la g\u00e9n\u00e9rosit\u00e9 de Nancy B. Tieken. \u00a9 Kerry James Marshall. Photo \u00a9 President and Fellows of Harvard College.\" srcset=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Capture-decran-2026-09-03-a-14.38.00.jpg 1500w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Capture-decran-2026-09-03-a-14.38.00-252x300.jpg 252w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Capture-decran-2026-09-03-a-14.38.00-860x1024.jpg 860w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Capture-decran-2026-09-03-a-14.38.00-768x915.jpg 768w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Capture-decran-2026-09-03-a-14.38.00-1289x1536.jpg 1289w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Capture-decran-2026-09-03-a-14.38.00-300x357.jpg 300w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Kerry James Marshall, <i>Untitled<\/i>, 2008. Acrylic on PVC panel, 184.8 \u00d7 155.6 cm. Harvard Art Museums\/Fogg Museum, Cambridge, Massachusetts. Richard Norton Memorial Fund and acquired through the generosity of Nancy B. Tieken. \u00a9 Kerry James Marshall. Photo \u00a9 President and Fellows of Harvard College.     <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bfae85c elementor-widget elementor-widget-spacer\" data-id=\"bfae85c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-18dc65b elementor-widget elementor-widget-text-editor\" data-id=\"18dc65b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><b>Kerry James Marshall at the MAM<\/b><\/p><p>For more than forty years, Kerry James Marshall has been exploring the place of Black figures in the history of Western art and, through painting, has been reintroducing them into genres from which they have long been absent. The Mus\u00e9e d\u2019Art Moderne de Paris is presenting a major retrospective of his work, featuring nearly 70 works\u2014including paintings, drawings, prints, and sculptures\u2014that allow viewers to appreciate both the coherence and the evolution of this body of work, which has become a major force in the history of contemporary painting. <\/p><p><i>Kerry James Marshall, <\/i>\u201cThe Histories,\u201d September 18, 2026, through January 24, 2027, Mus\u00e9e d\u2019Art Moderne de Paris. <\/i> <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fa36b82 elementor-widget elementor-widget-spacer\" data-id=\"fa36b82\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4873cfb elementor-widget elementor-widget-image\" data-id=\"4873cfb\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"1499\" src=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Bozar_Calendar.jpg\" class=\"attachment-full size-full wp-image-18758\" alt=\"\u00a9 William Kentridge. Tous droits r\u00e9serv\u00e9s, DACS 2024. Courtesy de l\u2019artiste, Goodman Gallery, Galleria Lia Rumma et Hauser &amp; Wirth.\" srcset=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Bozar_Calendar.jpg 1500w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Bozar_Calendar-300x300.jpg 300w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Bozar_Calendar-1024x1024.jpg 1024w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Bozar_Calendar-150x150.jpg 150w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Bozar_Calendar-768x767.jpg 768w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Bozar_Calendar-100x100.jpg 100w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">\u00a9 William Kentridge. All rights reserved, DACS 2024. Courtesy of the artist, Goodman Gallery, Galleria Lia Rumma, and Hauser &amp; Wirth.  <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-efe7fa7 elementor-widget elementor-widget-spacer\" data-id=\"efe7fa7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4ba7ba1 elementor-widget elementor-widget-text-editor\" data-id=\"4ba7ba1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><b>William Kentridge at BOZAR<\/b><\/p><p>BOZAR has named William Kentridge as its guest of honor for the 2026\u20132027 season. The South African artist will present \u201cI am not me, the horse is not mine\u201d, while a program of performances and events will complement the exhibition in collaboration with the Centre for the Less Good Idea, an artistic laboratory he founded in Johannesburg in 2016. Drawing, animation, theater, music, and performance will explore the full scope of a body of work that delves into South African history, colonization, memory, and forms of resistance.<\/p><p><i>William Kentridge, <\/i><i>\u201c<\/i><i>I am not me, the horse is not mine <\/i><i>\u201d<\/i><i>, September 18, 2026\u2013March 7, 2027, BOZAR, Brussels. <\/i> <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-325c0ef elementor-widget elementor-widget-spacer\" data-id=\"325c0ef\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1c77688 elementor-widget elementor-widget-image\" data-id=\"1c77688\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"1764\" src=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/KANAL_IMAGE_10_Atelier-Kanal_Kanal_Showroom.jpg\" class=\"attachment-full size-full wp-image-18764\" alt=\"Atelier Kanal\" srcset=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/KANAL_IMAGE_10_Atelier-Kanal_Kanal_Showroom.jpg 1500w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/KANAL_IMAGE_10_Atelier-Kanal_Kanal_Showroom-255x300.jpg 255w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/KANAL_IMAGE_10_Atelier-Kanal_Kanal_Showroom-871x1024.jpg 871w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/KANAL_IMAGE_10_Atelier-Kanal_Kanal_Showroom-768x903.jpg 768w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/KANAL_IMAGE_10_Atelier-Kanal_Kanal_Showroom-1306x1536.jpg 1306w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/KANAL_IMAGE_10_Atelier-Kanal_Kanal_Showroom-300x353.jpg 300w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">\u00a9 Atelier Kanal<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d7d540e elementor-widget elementor-widget-spacer\" data-id=\"d7d540e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7e20041 elementor-widget elementor-widget-text-editor\" data-id=\"7e20041\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><b>Kanal &#8211; Centre Pompidou Finally Opens in Brussels<\/b><\/p><p>After nearly ten years of development, KANAL will open its doors on November 28 in the 40,000 m\u00b2 former Citro\u00ebn garage in Brussels. As a partner in the project through 2031, the Centre Pompidou will showcase part of its collections there and curate two temporary exhibitions per year. For the opening, Otobong Nkanga will take over the space with a participatory installation, while \u201cA Truly Immense Journey\u201d will bring together more than 350 works to trace a century of modern and contemporary art.<\/p><p><i>Kanal &#8211; Centre Pompidou, opening November 28, 2026. Exhibition <\/i><i>\u201c<\/i><i>A Truly Immense Journey <\/i><i>\u201d<\/i><i> November 28, 2026, through January 9, 2028, Kanal &#8211; Centre Pompidou, Brussels. <\/i> <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-065914a elementor-widget elementor-widget-spacer\" data-id=\"065914a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2327163 elementor-widget elementor-widget-image\" data-id=\"2327163\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"844\" src=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Hero20Shot20320-20Guggenheim20Abu20Dhabi-2.jpg\" class=\"attachment-full size-full wp-image-18762\" alt=\"Vue ext\u00e9rieure du mus\u00e9e Guggenheim \u00e0 Abu Dhabi. \u00a9 courtesy du Guggenheim Abu Dhabi\" srcset=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Hero20Shot20320-20Guggenheim20Abu20Dhabi-2.jpg 1500w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Hero20Shot20320-20Guggenheim20Abu20Dhabi-2-300x169.jpg 300w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Hero20Shot20320-20Guggenheim20Abu20Dhabi-2-1024x576.jpg 1024w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/Hero20Shot20320-20Guggenheim20Abu20Dhabi-2-768x432.jpg 768w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Exterior view of the Guggenheim Museum in Abu Dhabi. \u00a9 Courtesy of the Guggenheim Abu Dhabi <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b07b5a2 elementor-widget elementor-widget-spacer\" data-id=\"b07b5a2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c8d140e elementor-widget elementor-widget-text-editor\" data-id=\"c8d140e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><b>Frieze and the Guggenheim in Abu Dhabi<\/b><\/p><p>The end of the year will mark a new milestone in Abu Dhabi\u2019s emergence as an international arts hub. From November 19 to 22, the inaugural edition of Frieze Abu Dhabi will bring together more than 80 galleries at Manarat Al Saadiyat. Three weeks later, on December 11, the Guggenheim Abu Dhabi will finally open its doors on Saadiyat Island. Designed by Frank Gehry and featuring 11,600 square meters of indoor exhibition space, it will become the largest museum in the Guggenheim network.   <\/p><p><i>Frieze Abu Dhabi, November 19\u201322, 2026, Manarat Al Saadiyat. Guggenheim Abu Dhabi, opening December 11, 2026. <\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-99ff91d elementor-widget elementor-widget-spacer\" data-id=\"99ff91d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e68d3ce elementor-widget elementor-widget-image\" data-id=\"e68d3ce\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"999\" src=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/vive-la-mariee.jpg\" class=\"attachment-full size-full wp-image-18767\" alt=\"Djamel Far\u00e8s, Mariage \u00e0 El-Madania, Alger (Alg\u00e9rie), 1980. impression \u00e0 jet d\u2019encre pigmentaire sur papier Hahnem\u00fchle - tirage d\u2019exposition. \u00a9 Djamel Far\u00e8s\" srcset=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/vive-la-mariee.jpg 1500w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/vive-la-mariee-300x200.jpg 300w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/vive-la-mariee-1024x682.jpg 1024w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/09\/vive-la-mariee-768x511.jpg 768w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Djamel Far\u00e8s, <i>Wedding in El-Madania<\/i>, Algiers (Algeria), 1980. Pigment inkjet print on Hahnem\u00fchle paper\u2014exhibition print. \u00a9 Djamel Far\u00e8s  <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e23fca8 elementor-widget elementor-widget-spacer\" data-id=\"e23fca8\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fd0e5e1 elementor-widget elementor-widget-text-editor\" data-id=\"fd0e5e1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><b>Maghreb Weddings at the IMA Paris  <\/b><\/p><p>Because in the Maghreb, marriage is as much an intimate celebration as it is a communal event, the exhibition \u201cVive la mari\u00e9e!\u201d [Long Live the Bride!] will bring together costumes and jewelry on display for the first time in France, along with works by 27 contemporary artists\u2014mostly women\u2014from Algeria, Morocco, Tunisia, and their diasporas. Among them, Moroccan artist Ghizlane Sahli presents a textile installation.<\/p><p><i>\u201cVive la mari\u00e9e!\u201d<\/i><i>, September 29, 2026, through February 28, 2027, Institut du Monde Arabe, Paris.<\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ffc27dc elementor-widget elementor-widget-text-editor\" data-id=\"ffc27dc\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><b>And also:<\/b><\/p>\n<p>London will host the upcoming editions of 1-54 and Frieze, while in Paris, Art Basel Paris and AKAA will be the highlights of October<br\/><br\/>This translation was generated using AI. For the original text, please see the French version of this article.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>From Rabat to Dakar, from Paris to Brussels, and all the way to Abu Dhabi, exhibitions, biennials, art fairs, and museum openings will set the pace for the coming months. Here\u2019s our selection of the must-see events this fall. By the editorial staff Daoud Aoulad-Syad, Erfoud, 1983 \u00a9 Daoud Aoulad-Syad Daoud Aoulad-Syad at MMVI In [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":18757,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1684],"tags":[],"class_list":["post-18755","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Contemporary Art: What\u2019s in Store This Season &#8212; Diptykmag<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.diptykmag.com\/en\/contemporary-art-whats-in-store-for-the-new-school-year\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Contemporary Art: What\u2019s in Store This Season &#8212; Diptykmag\" \/>\n<meta property=\"og:description\" content=\"From Rabat to Dakar, from Paris to Brussels, and all the way to Abu Dhabi, exhibitions, biennials, art fairs, and museum openings will set the pace for the coming months. Here\u2019s our selection of the must-see events this fall. 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