{"id":18854,"date":"2026-07-15T14:59:03","date_gmt":"2026-07-15T14:59:03","guid":{"rendered":"https:\/\/www.diptykmag.com\/tazmamart-between-despair-and-hope\/"},"modified":"2026-09-07T09:17:24","modified_gmt":"2026-09-07T09:17:24","slug":"tazmamart-between-despair-and-hope","status":"publish","type":"post","link":"https:\/\/www.diptykmag.com\/en\/tazmamart-between-despair-and-hope\/","title":{"rendered":"Tazmamart: Between Despair and Hope"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"18854\" class=\"elementor elementor-18854 elementor-15766\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c766354 e-flex e-con-boxed e-con e-parent\" data-id=\"c766354\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ce95353 elementor-widget elementor-widget-text-editor\" data-id=\"ce95353\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-size: var( --e-global-typography-text-font-size ); text-align: var(--text-align);\">L&#8217;oiseau de Tazmamart (The Bird of Tazmamart) is, above all, a project by a generation largely cut off from its history. Based on Ilyass Koundi\u2019s graduation project at the National Institute of Fine Arts in Tetouan and reworked in collaboration with the Alkhariqun collective and former political prisoner Ahmed Marzouki, this graphic novel broadly recounts the failed military coups against King Hassan II that led to the disappearance of a group of officers and former students of the Ahermoumou Military Academy. Told through Marzouki\u2019s perspective, the now well-documented conditions of detention in the Tazmamart prisons are depicted here realistically, accompanied by black-and-white panels that often emphasize striking angles. High-angle and low-angle shots dramatize the experience of what historian and political scientist Walid Cherqaoui calls, in his afterword, \u201c    <\/span><i style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-size: var( --e-global-typography-text-font-size ); font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align);\">a political erasure <\/i><span style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-size: var( --e-global-typography-text-font-size ); text-align: var(--text-align);\">\u201d: \u201c<\/span><i style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-size: var( --e-global-typography-text-font-size ); font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align);\"> Disappearance functioned as a total suspension of the law <\/i><span style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-size: var( --e-global-typography-text-font-size ); text-align: var(--text-align);\">.\u201d Yet, in the face of this concentration-camp-like world, the novel succeeds in imparting a lesson in hope through the figure of this bird, which the prisoner refers to as \u201c<\/span><span style=\"color: rgb(71, 71, 71); font-family: Arial, sans-serif; font-size: 14px;\">&nbsp;<\/span><i style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-size: var( --e-global-typography-text-font-size ); font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align);\">faraj<\/i><span style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-size: var( --e-global-typography-text-font-size ); text-align: var(--text-align);\"> \u201d (deliverance); the testimony transforms into a parable that restores human dignity to the heart of history.<\/span><br><\/p>\n<p><span style=\"font-weight: 700;\">By Olivier Rachet<\/span><\/p>\n<p><b>L&#8217;oiseau de Tazmamart (The Bird of Tazmamart) by Ilyass Koundi and Alkhariqun, published by Alifbata and Le Fennec, 112 pages, 250 DH<br\/><br\/>This translation was generated using AI. For the original text, please see the French version of this article.<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6c0380f elementor-widget elementor-widget-spacer\" data-id=\"6c0380f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0c24081 elementor-widget elementor-widget-image\" data-id=\"0c24081\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1811\" height=\"2560\" src=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/07\/couv-L-OISEAU-DE-TAZMAMART-HD-scaled.jpg\" class=\"attachment-full size-full wp-image-18863\" alt=\"\" srcset=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/07\/couv-L-OISEAU-DE-TAZMAMART-HD-scaled.jpg 1811w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/07\/couv-L-OISEAU-DE-TAZMAMART-HD-212x300.jpg 212w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/07\/couv-L-OISEAU-DE-TAZMAMART-HD-725x1024.jpg 725w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/07\/couv-L-OISEAU-DE-TAZMAMART-HD-768x1085.jpg 768w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/07\/couv-L-OISEAU-DE-TAZMAMART-HD-1087x1536.jpg 1087w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/07\/couv-L-OISEAU-DE-TAZMAMART-HD-1449x2048.jpg 1449w, https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/07\/couv-L-OISEAU-DE-TAZMAMART-HD-300x424.jpg 300w\" sizes=\"(max-width: 1811px) 100vw, 1811px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>L&#8217;oiseau de Tazmamart (The Bird of Tazmamart) is, above all, a project by a generation largely cut off from its history. Based on Ilyass Koundi\u2019s graduation project at the National Institute of Fine Arts in Tetouan and reworked in collaboration with the Alkhariqun collective and former political prisoner Ahmed Marzouki, this graphic novel broadly recounts [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":18863,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1606],"tags":[],"class_list":["post-18854","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tazmamart: Between Despair and Hope &#8212; Diptykmag<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.diptykmag.com\/en\/tazmamart-between-despair-and-hope\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tazmamart: Between Despair and Hope &#8212; Diptykmag\" \/>\n<meta property=\"og:description\" content=\"L&#8217;oiseau de Tazmamart (The Bird of Tazmamart) is, above all, a project by a generation largely cut off from its history. 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