{"id":19013,"date":"2026-04-08T10:55:47","date_gmt":"2026-04-08T10:55:47","guid":{"rendered":"https:\/\/www.diptykmag.com\/amine-habki-the-art-of-embroidery-masculine-style\/"},"modified":"2026-09-07T10:23:32","modified_gmt":"2026-09-07T10:23:32","slug":"amine-habki-the-art-of-embroidery-masculine-style","status":"publish","type":"post","link":"https:\/\/www.diptykmag.com\/en\/amine-habki-the-art-of-embroidery-masculine-style\/","title":{"rendered":"Amine Habki: The Art of Embroidery, Masculine Style"},"content":{"rendered":"

Describing himself as a painter and textile artist, Amine Habki draws on imagery from social media and scenes from everyday life to create compositions that challenge conventional perceptions. We met with him in his studio, where he is preparing for his first solo show in Paris. <\/b>
We discovered Amine Habki, a recent graduate of the \u00c9cole sup\u00e9rieure des beaux-arts de Cergy, during the 2024 edition of the \u201c\u00catre ici\u201d art tour<\/span> in Tangier. His textile works, which subvert the clich\u00e9s of heroic, conquering masculinity\u2014ironically represented by delicately embroidered boxing gloves\u2014struck us with their sense of calm and tenderness. We were also captivated by the ease with which his various installations were staged, as in the group exhibition \u201cLa rh\u00e9torique du rideau,\u201d in which he participated in 2025 at the Institut des Cultures d\u2019Islam in Paris. <\/span> <\/p>\n

While cinema remains a major source of influence\u2014among his influences, he likes to cite the documentary <\/span>*Reel Bad Arabs: How Hollywood Vilifies a People* <\/span><\/i>(2006) by Sut Jhally, an adaptation of Jack Sheen\u2019s book of the same name that criticizes the way Hollywood cinema essentializes Arab bodies\u2014his iconographic vocabulary draws from a wide range of sources, much like his generation: \u201c <\/span>The images I draw often spring from a memory of a real-life scene or a movie, or from scrolling through Instagram. My imagery comes from everywhere <\/span><\/i>.\u201d <\/span><\/p>\n

\"Hakbi_Please-Mind-the-Gap-,cred-Alexander-Beveridge-\"
Please Mind the Gap, 2025, Embroidery and acrylic on burlap, 90 x 90 cm. Photo \u00a9 Alexander Beveridge <\/figcaption><\/figure>\n

Challenging Myths<\/b><\/p>\n

His visual art skillfully draws on the art of embroidery, drawing, and painting\u2014all mediums he handles with great dexterity. \u201c<\/span> I\u2019ll embroider on the fabric to bring out a pattern, and then I\u2019ll paint over it to erase it. This allows me to create a three-dimensional effect. I\u2019m also experimenting with my needle on materials that are rarely used, such as the sheer fabric used in upholstery lace. <\/span><\/i>“. The choice of fabric often sets the stage for the narrative and the selection of scenes to be depicted, as in <\/span>Still dirty<\/span><\/i> (2025), in which a simple tank top serves to create distance from the triumphant gesture of a shirtless man, whose vulnerability the artist explores. \u201c <\/span>I like to find softness in strength and slowness in speed <\/span><\/i>“, he explains, acknowledging the debt he owes to many artists\u2014contemporary, classical, or romantic\u2014including Delacroix, whom he says he admires but whom he criticizes for his “<\/span> essentialization of bodies <\/span><\/i>“. <\/span>For now, Amine Habki is actively preparing for his first <\/span>solo exhibition <\/span><\/i>which will be held in September at the Mennour Gallery in Paris, and which he has chosen to title \u201cMy desire is my compass.\u201d Drawing inspiration in particular from the <\/span>Treatise on the Fixed Stars<\/span><\/i>, a work on astronomy by the Persian writer Abd-al Rahmane al-Soufi dating from the 10th century<\/span>e<\/span> In the 20th century, he set out to invent his own constellations that would \u201c<\/span> to challenge existing myths <\/span><\/i>“.<\/span> He prefers to substitute the figure of Penelope for that of Odysseus; in place of the great navigators who explored the constellations, he contrasts the Parisian public transit system, from which he continues to observe his Arab brothers with tenderness, as in his work, with its dreamlike quality tinged with romance <\/span>Please mind the gap<\/span><\/i> (2025), in which two men share a pair of headphones on an RER train, searching for a more desirable place. <\/span><\/p>\n

Olivier Rachet<\/b>
\n
This translation was generated using AI. For the original text, please see the French version of this article.<\/p>\n

\"portrait_Hakbi_2025-portrait-Sammy-Andre-Wolff\"
Portrait. Photo credit: Sammy Andr\u00e9 Wolff
<\/figcaption><\/figure>\n
\"Hakbi_I-Matched-My-Bouquet-to-Your-Absence_2025\"
*I Matched My Bouquet with Your Absence*, 2025, acrylic and embroidery on canvas, stainless steel, 85 x 47 cm. Courtesy of the artist. Photo \u00a9 Alexander Beveridge <\/figcaption><\/figure>\n
\"Hakbi_Sweet-blade-,-2024-embroidery-painting-and-textile-assembly-photo-credit-Nadezhda-Ermakova-\"
Sweet Blade, 2024, embroidery, paint, and textile assemblage. Courtesy of the artist. Photo \u00a9 Nadezhda Ermakova <\/figcaption><\/figure>\n
\"exhibition_view\"
View of the solo exhibition \u201cI will sew up all the flowers of your garden\u201d at the Andrhen Schiptjenko Gallery, Stockholm. Photo \u00a9 Alexander Beveridge <\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Describing himself as a painter and textile artist, Amine Habki draws on imagery from social media and scenes from everyday life to create compositions that challenge conventional perceptions. We met with him in his studio, where he is preparing for his first solo show in Paris. We discovered Amine Habki, a recent graduate of the […]<\/p>\n","protected":false},"author":1,"featured_media":19011,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1617],"tags":[],"class_list":["post-19013","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-work-in-progress"],"yoast_head":"\nAmine Habki: The Art of Embroidery, Masculine Style — Diptykmag<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.diptykmag.com\/en\/amine-habki-the-art-of-embroidery-masculine-style\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Amine Habki: The Art of Embroidery, Masculine Style — Diptykmag\" \/>\n<meta property=\"og:description\" content=\"Describing himself as a painter and textile artist, Amine Habki draws on imagery from social media and scenes from everyday life to create compositions that challenge conventional perceptions. 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