{"id":22270,"date":"2026-11-13T09:18:00","date_gmt":"2026-11-13T09:18:00","guid":{"rendered":"https:\/\/www.diptykmag.com\/aymane-el-gadi-sets-his-sights-on-the-big-leagues\/"},"modified":"2026-11-13T11:37:58","modified_gmt":"2026-11-13T11:37:58","slug":"aymane-el-gadi-sets-his-sights-on-the-big-leagues","status":"publish","type":"post","link":"https:\/\/www.diptykmag.com\/en\/aymane-el-gadi-sets-his-sights-on-the-big-leagues\/","title":{"rendered":"Aymane El Gadi Sets His Sights on the Big Leagues"},"content":{"rendered":"\t\t
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For his first solo exhibition, \u201cInd\u00e9l\u00e9bile,\u201d the 2025 winner of the Mustaqbal Prize offers an interactive journey into the world of childhood, exploring the balance between the freedom of play and the relentless process of socialization. <\/b><\/p>

By Olivier Rachet<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Aymane El Gadi, Frfara<\/i>, 2026, lacquered and folded steel sheet, rivet, rotating axis, 150 x 150 x 50 cm<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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The stakes are always high for the winners of the Mustaqbal Prize for emerging artists: facing their first solo exhibition and taking on the intimidatingly large Artorium space at the TGCC Foundation. One wonders, in fact, whether it might not be wiser to exhibit the three winners together to overcome this challenge? While some previous winners, such as Khadija El Abyad and Kamil Bouzoubaa-Grivel, have at times opted for mediums or materials with which they were not always familiar\u2014such as sculpture or ceramics\u2014all of them have experimented, with varying degrees of success, with the flexible boundaries of installation art.<\/p>

Aymane El Gadi chooses to transform the exhibition space into a classroom and a playground through works that evoke both playgrounds and the processes of socialization. A bench covered in nails and school uniforms in \u201cgendered\u201d colors\u2014reproduced in tricolor catalogs\u2014remind us, not without a touch of naivety, that school is a place of power and control over individuals, just like the military or prison.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Aymane El Gadi, \u201cI Want to Be\u201d series,\n2026, graphite on paper, 56 x 40 cm<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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One of the exhibition\u2019s successes is its ability to create a tension between the rigidity of rules and the imagination inherent in children\u2019s games. Twenty-four sheets of paper are hand-gridded, suggesting a punitive principle of repetition whose educational virtues\u2014which sanctify memorization\u2014are here undermined. Alongside them are drawings whose lines were drawn randomly by a simple spinning top\u2014a distant echo of Pollock\u2019s drippings<\/i>\u2014express the joy of play and the transgression of rules. <\/p>

We expected Aymane El Gadi to focus on graphite pencil drawings\u2014a medium he has already mastered with virtuosity and which features several standout works in the exhibition. Instead, the artist chose to approach this medium from the perspective of reflexivity, notably by depicting a child in close-up as he contemplates the colors of a set of marbles. Alongside these are pixelated drawings and others that magnify undulating lines, highlighting the importance of perception. Aymane El Gadi does not impose a condescending gaze upon us, but he places at the center of his approach the very question of representation and vision\u2014with a certain humility.<\/p>

He is only at the start of his career: let\u2019s bet that the game is far from over!<\/p>

Exhibition \u201cInd\u00e9l\u00e9bile\u201d by Aymane El Gadi, curated by Farah Maakel, Espace Artorium, TGCC Foundation, Casablanca, through December 19, 2026<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Aymane El Gadi, Trace<\/i>, 2024, ink on paper, 50 x 65 cm<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

For his first solo exhibition, \u201cInd\u00e9l\u00e9bile,\u201d the 2025 winner of the Mustaqbal Prize offers an interactive journey into the world of childhood, exploring the balance between the freedom of play and the relentless process of socialization. By Olivier Rachet Aymane El Gadi, Frfara, 2026, T\u00f4le d\u2019acier laqu\u00e9e et pli\u00e9e, rivet, axe rotatif, 150 x150 x […]<\/p>\n","protected":false},"author":2,"featured_media":22271,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1598],"tags":[],"class_list":["post-22270","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition"],"yoast_head":"\nAymane El Gadi Sets His Sights on the Big Leagues — Diptykmag<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.diptykmag.com\/en\/aymane-el-gadi-sets-his-sights-on-the-big-leagues\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aymane El Gadi Sets His Sights on the Big Leagues — Diptykmag\" \/>\n<meta property=\"og:description\" content=\"For his first solo exhibition, \u201cInd\u00e9l\u00e9bile,\u201d the 2025 winner of the Mustaqbal Prize offers an interactive journey into the world of childhood, exploring the balance between the freedom of play and the relentless process of socialization. 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