{"id":19610,"date":"2026-09-28T13:18:13","date_gmt":"2026-09-28T13:18:13","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=19610"},"modified":"2026-09-29T06:03:39","modified_gmt":"2026-09-29T06:03:39","slug":"diptyk-73","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-73\/","title":{"rendered":"Diptyk #73"},"content":{"rendered":"<ul>\n<li>News \u2013 Nadia Sabri, new director of the MMVI; Amina Agueznay will represent Morocco in Venice<\/li>\n<li>Exhibitions \u2013 The Mustaqbal Prize, \u201cA\u00efta\u201d, Marc Riboud and Bruno Barbey at the MMVI, Nabil El Makhloufi, Ziad Naitaddi, Mohamed Lekleti, Abdessamad El Montassir, Amine Asselman\u2026<\/li>\n<li>The Eye Listens \u2013 A psychoanalysis of the Moroccan veil<\/li>\n<li>Portfolio \u2013 Matilde Gattoni, the aesthetics of despair<\/li>\n<li>Story \u2013 Yto Barrada, botany as an act of resistance; Youssra Raouchi: \u201cI paint the way one enters a dream\u201d; Comptoir des Mines, ten years that wrote art history; Vanessa Branson: \u201cThe Marrakech Biennale inspired many biennales around the world\u201d; The Tizintizwa collective, united against cultural homogenization; Hiba Baddou, a mythology of the future<\/li>\n<li>Art Market \u2013 Millennials versus millionaires: the new duel; Paris-London: the autumn match; Why invest in a work by Fatima Mazmouz?; From the Golden Lion to a record, Simone Leigh makes her voice heard<\/li>\n<li>Books \u2013 Landscape formats; Fran\u00e7oise Huguier: \u201cAt the Rencontres d\u2019Arles, I have never seen an exhibition about Africa\u201d<\/li>\n<li>The Collection \u2013 Sa\u00e2d Ben Cheffaj\u2019s history lesson<\/li>\n<li>The Incubator \u2013 Amina Yahia revives the memory of post-colonial Egypt<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>How does a young art scene find its place? Diptyk #73 follows the dynamics of Morocco\u2019s emerging scene: the Mustaqbal Prize, ten years of the Comptoir des Mines, the Tizintizwa collective and the meteoric rise of Youssra Raouchi, on the cover. Through reports, analyses, interviews and portfolios, this autumn 2025 issue also looks towards Africa and the world, from Yto Barrada to Simone Leigh.<\/p>\n","protected":false},"featured_media":20141,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-19610","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #73<\/title>\n<meta name=\"description\" content=\"Diptyk Magazine #76: Morocco Makes Its Debut at the Venice Biennale. Choose the print version or the PDF version. 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