{"id":19617,"date":"2026-09-28T13:18:12","date_gmt":"2026-09-28T13:18:12","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=19617"},"modified":"2026-09-29T06:03:39","modified_gmt":"2026-09-29T06:03:39","slug":"diptyk-72","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-72\/","title":{"rendered":"Diptyk #72"},"content":{"rendered":"<ul>\n<li>News \u2013 A Moroccan pavilion at the Venice Biennale; Randa Maroufi wins an award at Cannes<\/li>\n<li>Exhibitions \u2013 Moroccan photographers in the Off programme of the Rencontres d\u2019Arles, Hassan Darsi, the MMVI\u2019s new permanent hang, Ziyad El Mansouri, Khalil Nemmaoui, the Bank Al-Maghrib Museum, M\u2019barek Bouhchichi, Latifa Toujani, Ghizlane Sahli\u2026<\/li>\n<li>The Eye Listens \u2013 When art deciphers the black box of AI<\/li>\n<li>Portfolio \u2013 Iman Zaoin, resisting the instant<\/li>\n<li>Story \u2013 Venice in the wake of Koyo Kouoh; The insolent vitality of figurative painting; The working-class melancholy of Mounir Eddib; Sultan Sooud Al-Qassemi, builder of an Arab counter-narrative; Tasweer, the beating heart of contemporary Arab photography; Salima Naji: \u201cA culture that endures is a deep culture\u201d; Jnane \u00c9lisabeth, living in art and sharing it<\/li>\n<li>Art Market \u2013 Does the world really need a new fair?; Moroccan artists: a stalled secondary market; VIMA sets up a Mediterranean market in Cyprus; Why invest in the work of Khalil Nemmaoui?; Marlene Dumas, the world\u2019s most expensive woman painter<\/li>\n<li>Books \u2013 Views of Morocco; Nadia Sabri and Rachida Triki: \u201cIf we forget that we fought for our rights, we risk losing them\u201d<\/li>\n<li>The Incubator \u2013 Sanaa Abouayoub, art as a ritual of repair<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Faced with a world that keeps accelerating, contemporary art is claiming a need for poetry and slowness. Diptyk #72 starts from there to explore the insolent vitality of figurative painting, pay tribute to Koyo Kouoh in Venice and meet those building other narratives, from Sultan Sooud Al-Qassemi to Salima Naji. Reports, analyses, interviews and portfolios make up this summer 2025 issue, between Morocco, Africa and the world.<\/p>\n","protected":false},"featured_media":20146,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-19617","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #72<\/title>\n<meta name=\"description\" content=\"Diptyk Magazine #76: Morocco Makes Its Debut at the Venice Biennale. Choose the print version or the PDF version. 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