{"id":19624,"date":"2026-09-28T13:18:12","date_gmt":"2026-09-28T13:18:12","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=19624"},"modified":"2026-09-29T06:03:39","modified_gmt":"2026-09-29T06:03:39","slug":"diptyk-71","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-71\/","title":{"rendered":"Diptyk #71"},"content":{"rendered":"<ul>\n<li>News \u2013 The Villa Carl Ficke reconnects Casablanca with its history<\/li>\n<li>Exhibitions \u2013 \u201cPaysages mouvants\u201d, Cha\u00efbia and CoBrA, Kouka Ntadi, Mohammed Chrouro, Fatna Gbouri, Calligraphy, Tahar Ben Jelloun\u2026<\/li>\n<li>Work in progress \u2013 Echoes from contemporary scenes<\/li>\n<li>The Eye Listens \u2013 The second life of Orientalist painting<\/li>\n<li>Portfolio \u2013 Delphine Diallo, paradises regained<\/li>\n<li>Story \u2013 Is a global history of art possible? Episode 1; Yassine Chouati, introspection shared; The MACAAL, more Afrocentric than ever; At Le Cube, the journey is the goal; The Sharjah Biennial, lucid and committed; The Islamic Arts Biennale, a tool of Saudi soft power<\/li>\n<li>Art Market \u2013 In the Emirates, auctions struggle to keep pace; ARCO Madrid sets course due south; A new fair for contemporary African art; Ahmed Mater, more and more magnetic<\/li>\n<li>Books \u2013 Photography and power; Jean-Baptiste Brenet: \u201cAverroes is the most represented Arab in the history of Western art\u201d<\/li>\n<li>The Collection \u2013 Abb\u00e8s Saladi, dreamlike imagination at work<\/li>\n<li>The Incubator \u2013 Driss Ouaamar spins a thread against oblivion<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Restoring a place, returning works, rewriting narratives: the theme of repair runs through Diptyk #71, from the Villa Carl Ficke given back to the people of Casablanca to the Benin Bronzes returned to Nigeria. This spring 2025 issue also asks whether a global history of art is possible, and visits the MACAAL, the Sharjah Biennial and the Islamic Arts Biennale, through reports, analyses, interviews and portfolios.<\/p>\n","protected":false},"featured_media":20151,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-19624","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #71<\/title>\n<meta name=\"description\" content=\"Diptyk Magazine #76: Morocco Makes Its Debut at the Venice Biennale. Choose the print version or the PDF version. 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