{"id":19631,"date":"2026-09-28T13:18:12","date_gmt":"2026-09-28T13:18:12","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=19631"},"modified":"2026-09-29T06:03:39","modified_gmt":"2026-09-29T06:03:39","slug":"diptyk-70","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-70\/","title":{"rendered":"Diptyk #70"},"content":{"rendered":"<ul>\n<li>News \u2013 A law to structure Morocco\u2019s museum offering<\/li>\n<li>Exhibitions \u2013 CoBrA at the MMVI, Mustapha Hafid, Majaz Act II, \u201cIntervalle\u201d at the Fondation Montresso, Amina Agueznay, Hassan Hajjaj, Fondation Banque Populaire, Mo Baala, Reza, Rabi\u2019\u2026<\/li>\n<li>Work in progress \u2013 Echoes from contemporary scenes<\/li>\n<li>The Eye Listens \u2013 The metamorphosis of colonial imagery<\/li>\n<li>Portfolio \u2013 Mustapha Azeroual, abstraction as a quest for the absolute<\/li>\n<li>Story \u2013 The Dakar Biennale, putting an end to systemic oppression; Bilal Hamdad, choosing naturalism; Young photographers in search of an ecosystem; Friche La Belle de Mai, where Moroccan art reinvents itself; In Lebanon, art is a matter of survival<\/li>\n<li>Art Market \u2013 In Abu Dhabi, a fair comes of age; Is modern African art undervalued?; A pre-market for emerging artists; Ayana V. Jackson boldly reinvents history<\/li>\n<li>Books \u2013 Readings of works; Rabi\u2019, the spirit, the gesture, the trace<\/li>\n<li>The Collection \u2013 Jilali Gharbaoui and CoBrA, one history of painting can hide another<\/li>\n<li>The Incubator \u2013 The embodied silences of Lila Semtob<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>How do you emerge when the structures are lacking? On the cover of Diptyk #70, young Moroccan photography is looking for its ecosystem, between schools, prizes, residencies and galleries. This winter 2024 issue also travels to the Dakar Biennale, the Friche La Belle de Mai and Lebanon, where art becomes a matter of survival. Reports, analyses, interviews and portfolios complete it to decipher the art scene in Morocco, Africa and around the world.<\/p>\n","protected":false},"featured_media":20155,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-19631","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #70<\/title>\n<meta name=\"description\" content=\"Diptyk Magazine #76: Morocco Makes Its Debut at the Venice Biennale. Choose the print version or the PDF version. 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