{"id":19645,"date":"2026-09-28T13:18:11","date_gmt":"2026-09-28T13:18:11","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=19645"},"modified":"2026-09-29T06:03:40","modified_gmt":"2026-09-29T06:03:40","slug":"diptyk-68","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-68\/","title":{"rendered":"Diptyk #68"},"content":{"rendered":"<ul>\n<li>News \u2013 Arman enters the MMVI collections; Moroccan women curators are on the rise; A museum for Sufism<\/li>\n<li>Exhibitions \u2013 Abdallah El Hariri, Arman at the MMVI, \u201cToucher la peinture\u201d, Sara Ouhaddou, Youn\u00e8s Rahmoun, women photographers, migration stories, Yves Saint Laurent\u2026<\/li>\n<li>Work in progress \u2013 Echoes from contemporary scenes<\/li>\n<li>The Eye Listens \u2013 Boussa from the Netherlands<\/li>\n<li>Portfolio \u2013 In\u00e8s Bouallou, this is not a selfie<\/li>\n<li>Story \u2013 Arabfuturism, science fiction as a vehicle for emancipation; In Dakar, art resists; Abdessamad El Montassir, the storyteller of silence; All the Souths in Venice; Rabat opens a window onto African photography; Barth\u00e9l\u00e9my Toguo explores Moroccan craftsmanship; Paris, a home for decolonial art?; Jidar, the talent incubator<\/li>\n<li>Art Market \u2013 The Global South writes its history at Arco Lisbon; Yassir Benjelloun-Touimi: \u201cThe art world is becoming financialized, whether we like it or not\u201d; African art uses the pause to rethink itself; The solid market value of Yinka Shonibare<\/li>\n<li>Books \u2013 Revisiting the classics<\/li>\n<li>The Making of a Gaze \u2013 La Tentation de Joseph, Mohamed Abouelouakar<\/li>\n<li>The Incubator \u2013 Hind Moumou, self-taught photographer and filmmaker<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>A flying Renault 12, a purple djellaba, cities of the future rising from the desert. Diptyk #68 devotes its feature to Arabfuturism, the science fiction that seizes the codes of the future to write counter-narratives from the Global South. This summer 2024 issue also stops in Venice, Dakar and Rabat. It features reports, analyses, interviews and portfolios on contemporary art in Morocco, Africa and around the world.<\/p>\n","protected":false},"featured_media":20162,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-19645","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #68<\/title>\n<meta name=\"description\" content=\"Diptyk Magazine #76: Morocco Makes Its Debut at the Venice Biennale. Choose the print version or the PDF version. 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