{"id":19652,"date":"2026-09-28T13:18:11","date_gmt":"2026-09-28T13:18:11","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=19652"},"modified":"2026-09-29T06:03:40","modified_gmt":"2026-09-29T06:03:40","slug":"diptyk-67","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-67\/","title":{"rendered":"Diptyk #67"},"content":{"rendered":"<ul>\n<li>News \u2013 The Casablanca School in Venice; Desert X AlUla, 3rd season; The Rencontres de Bamako turn thirty<\/li>\n<li>Exhibitions \u2013 L\u2019Atelier Mus\u00e9e de l\u2019Estampe, Hassan Darsi, \u201cPr\u00e9sences arabes\u201d in Paris, \u201cMutations\u201d at the Espace d\u2019art Montresso, Imane Djamil\u2026<\/li>\n<li>Work in progress \u2013 Echoes from contemporary scenes<\/li>\n<li>The Eye Listens \u2013 The poetic languages of Etel Adnan<\/li>\n<li>Portfolio \u2013 The ochre memories of Daoud Aoulad-Syad<\/li>\n<li>Story \u2013 Does beauty have a future in art?; Israel-Palestine, the art world is splitting too; Salimata Diop: \u201cThe Dakar Biennale shows the perspective of those who have been excluded\u201d; Aliou Diack, shaman painter; Abdellatif La\u00e2bi, a life of poetry; Why does art struggle to occupy public space?; Cuba, modern and contemporary<\/li>\n<li>Art Market \u2013 The market is slowing down, but it is doing fine!; Starting a collection at Arco Madrid; Art Dubai acclaims Moroccan artists; Abdoulaye Konat\u00e9 patiently weaves his market value<\/li>\n<li>Books \u2013 Thinking the decolonial<\/li>\n<li>The Incubator \u2013 Elias Loudiyi, exploring his genealogy through photorealism<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Does beauty still have a place in contemporary art? Diptyk #67 puts the question to artists, then confronts it with burning current events: the rift in the art world over Israel-Palestine, the Dakar Biennale, art in public space. This spring 2024 issue brings together reports, analyses, interviews and portfolios, with the poetry of Etel Adnan and Abdellatif La\u00e2bi, and the ochre memories of Daoud Aoulad-Syad.<\/p>\n","protected":false},"featured_media":20166,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-19652","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #67<\/title>\n<meta name=\"description\" content=\"Diptyk Magazine #76: Morocco Makes Its Debut at the Venice Biennale. Choose the print version or the PDF version. 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