{"id":19679,"date":"2026-09-28T13:18:10","date_gmt":"2026-09-28T13:18:10","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=19679"},"modified":"2026-09-29T06:03:40","modified_gmt":"2026-09-29T06:03:40","slug":"diptyk-64","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-64\/","title":{"rendered":"Diptyk #64"},"content":{"rendered":"<ul>\n<li>News \u2013 The Moroccan scene meets the Portuguese public; MoMA buys a piece \u201cmade in Morocco\u201d; Barth\u00e9l\u00e9my Toguo and Ai Weiwei soon in Rabat<\/li>\n<li>Exhibitions \u2013 MuPho in Saint-Louis, Bachir Demnati, \u201cDans l\u2019\u00e9lan du geste\u201d, \u201cErrance(s)\u201d at the Fondation Montresso, \u201cKourtna\u201d at the National Museum of Photography\u2026<\/li>\n<li>Work in progress \u2013 Echoes from contemporary scenes<\/li>\n<li>The Eye Listens \u2013 Faith Ringgold, or the dignity of the visible<\/li>\n<li>Portfolio \u2013 Abdelhamid Belahmidi, breaking the chains of post-modern society<\/li>\n<li>Story \u2013 The Casablanca School comes to the Tate; Craft, the new matrix of contemporary art; Amina Agueznay\u2019s random workshop; The Fondation H weaves its powerful web in Madagascar and around the world; Jidar, the street art lab; La Source du lion, from the intimate to the public; Kafila: walking is creating<\/li>\n<li>Art Market \u2013 Textiles have never sold so well; 1-54 New York through a collector\u2019s eye; The KunstRAI fair seals cooperation between Morocco and the Netherlands; How Emmanuel Taku became so sought after; Rufai Zakari quietly breaks through at auction<\/li>\n<li>Books \u2013 Inhabiting the world<\/li>\n<li>The Making of a Gaze \u2013 Kolona min torab, by M\u2019barek Bouhchichi<\/li>\n<li>The Incubator \u2013 Ahmad Karmouni, salt as material<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Artists are leaving the studio to reconnect with material, gesture and know-how. Diptyk #64 devotes its feature to craft, a powerful matrix of contemporary art, from Amina Agueznay\u2019s random workshop to the Fondation H in Madagascar. This summer 2023 issue also follows the Casablanca School at the Tate, Jidar\u2019s street art and Kafila\u2019s artistic walk. Reports, analyses, interviews and portfolios complete it, between Morocco, Africa and the world.<\/p>\n","protected":false},"featured_media":20181,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-19679","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #64<\/title>\n<meta name=\"description\" content=\"Diptyk Magazine #76: Morocco Makes Its Debut at the Venice Biennale. Choose the print version or the PDF version. 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