{"id":19686,"date":"2026-09-28T13:18:09","date_gmt":"2026-09-28T13:18:09","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=19686"},"modified":"2026-09-29T06:03:41","modified_gmt":"2026-09-29T06:03:41","slug":"diptyk-63","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-63\/","title":{"rendered":"Diptyk #63"},"content":{"rendered":"<ul>\n<li>Game changer \u2013 Yassir Yarji, cultural mediation that sets an example<\/li>\n<li>News \u2013 Jemaa El Fna square gets its museum; The Moroccan Moderns soon at the Tate; In Sharjah, a tribute to Okwui Enwezor<\/li>\n<li>Exhibitions \u2013 Contemporary art from Benin at the MMVI, Malhoun, \u201cBlackness\u201d, \u201cDes figures\u201d, Zanele Muholi, Le 18\u2026<\/li>\n<li>Work in progress \u2013 Echoes from contemporary scenes<\/li>\n<li>The Eye Listens \u2013 Baya, art\u2019s eternal child<\/li>\n<li>Story \u2013 AlUla, a mirage come true; M\u2019hammed Kilito, a documentary meditation; Hassan Bourkia, the artist with soles of wind; Artificial intelligence: the new frontier of contemporary art; Cy Twombly\u2019s Moroccan interlude; Nathalie Bondil: \u201cIt is impossible to confine an artist to their Arabness\u201d<\/li>\n<li>Art Market \u2013 2022, another record year for contemporary African art; Arco Madrid returns to success; A gentle take-off for Menart Brussels; Mouna Mekouar: \u201cArt Dubai opens up to the Global South\u201d; Moufouli Bello, painting calibrated for the market; M\u2019barek Bouhchichi should break through on the secondary market<\/li>\n<li>Books \u2013 Art against preconceived ideas; Mehdi Ben Che\u00efkh: \u201cIt is wrong to set what happens in the street against what hangs in museums\u201d<\/li>\n<li>The Making of a Gaze \u2013 Chemin des grands, by Ahmed Cherkaoui<\/li>\n<li>The Incubator \u2013 Amine Asselman deconstructs the ornamental motif<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>What if an AI wrote Diptyk\u2019s feature? The editorial team tried the experiment with ChatGPT, and it is a failure they recount. Diptyk #63 explores artificial intelligence, the new frontier of contemporary art, from Refik Anadol at MoMA to the tools tested by the team. This spring 2023 issue also visits AlUla, M\u2019hammed Kilito and Cy Twombly\u2019s Moroccan interlude. Reports, analyses, interviews and portfolios complete it, between Morocco, Africa and the world.<\/p>\n","protected":false},"featured_media":20186,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-19686","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #63<\/title>\n<meta name=\"description\" content=\"Diptyk Magazine #76: Morocco Makes Its Debut at the Venice Biennale. Choose the print version or the PDF version. 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