{"id":19700,"date":"2026-09-28T13:18:09","date_gmt":"2026-09-28T13:18:09","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=19700"},"modified":"2026-09-29T06:03:41","modified_gmt":"2026-09-29T06:03:41","slug":"diptyk-61","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-61\/","title":{"rendered":"Diptyk #61"},"content":{"rendered":"<ul>\n<li>Game changer \u2013 Bouchra Salih, a desert to reinvent oneself<\/li>\n<li>News \u2013 The Rencontres photographiques de Marrakech invite Brazil; Barth\u00e9l\u00e9my Toguo opens a museum in Cameroon; The MIA reopens its doors<\/li>\n<li>Exhibitions \u2013 The Rencontres photographiques de Rabat, the banknote at the MMVI, Safaa Erruas, L\u2019Appartement 22, Rom\u00e9o Mivekannin, Le Cube, Mouhcine Rahaoui, Mo Baala, Delaye\u2026<\/li>\n<li>Portfolio \u2013 Sa\u00efdou Dicko, in the shadow of childhood<\/li>\n<li>Story \u2013 A museum in tune with its territory; Dhewadi Hadjab, an art of imbalance; Documenta 15, the edition of discord; Youmein: in Tangier, the future will be collaborative; What is contemporary African art?; My portrait, my battle; In Lyon, a biennale to remember our extreme fragility<\/li>\n<li>Art Market \u2013 How 1-54 brought contemporary African art in from the margins; Textile art weaves its web at AKAA; In Paris, waiting for the Basel effect; Contemporary African art takes root in the global market; Aboudia, the painter shaking up the market<\/li>\n<li>Books \u2013 Photographing chaos<\/li>\n<li>The Incubator \u2013 Adnane Zemmama, photography against oblivion<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Can we still create without talking about fragility? Diptyk #61 starts from this question, which became a common thread of the autumn 2022 season. We follow it from the Lyon Biennale to the off-balance bodies of Dhewadi Hadjab, on the cover. The issue also looks back at Documenta 15, the edition of discord, and at the role of 1-54 in the rise of contemporary African art. Reports, analyses, interviews and portfolios decipher the art scene in Morocco, Africa and around the world.<\/p>\n","protected":false},"featured_media":20197,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-19700","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #61<\/title>\n<meta name=\"description\" content=\"Diptyk Magazine #76: Morocco Makes Its Debut at the Venice Biennale. Choose the print version or the PDF version. 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