{"id":19735,"date":"2026-09-28T13:18:07","date_gmt":"2026-09-28T13:18:07","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=19735"},"modified":"2026-09-29T06:03:42","modified_gmt":"2026-09-29T06:03:42","slug":"diptyk-56","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-56\/","title":{"rendered":"Diptyk #56"},"content":{"rendered":"<ul>\n<li>Game changer \u2013 Elias Sanbar, putting Palestine on the world map<\/li>\n<li>News \u2013 Samuel Fosso soon in Paris; Bamako is back!; Kader Attia in a curator\u2019s shoes<\/li>\n<li>Work in progress \u2013 Echoes from contemporary scenes<\/li>\n<li>Exhibitions \u2013 Amine El Gotaibi, \u201cOutsiders\/Insiders?\u201d at the MACAAL, \u201cDistance ardente\u201d, Abb\u00e8s Saladi, \u201cLe feu qui forge\u201d, Along the Congo River, Objects of encounter\u2026<\/li>\n<li>The Eye Listens \u2013 Bruno Nassim Aboudrar, what does the mirror reflect?<\/li>\n<li>Column \u2013 Simon Njami, in praise of the inessential<\/li>\n<li>Portfolio \u2013 Karim Chater, a lesson in beldi style<\/li>\n<li>Story \u2013 The making of contemporary art; The Belkahia exhibition, an interview with Michel Gauthier; A history and geography of Moroccan art; The MACAAL exhibition, what is forgotten and what remains; Mohamed Chab\u00e2a: the theorist of the Casablanca School; Series 1\/3, when the Arab world invented its modernity<\/li>\n<li>Art Market \u2013 Everyone is setting course for NFTs; Dubai, with a Miami feel; Favourites at 1-54 New York; How to buy a Noah Davis?; How to buy a Jordan Casteel?<\/li>\n<li>Books \u2013 When art stands up to its time; Bruno Nassim Aboudrar: \u201cCaricaturing the Prophet belongs to a racist tradition\u201d<\/li>\n<li>The Incubator \u2013 Ayman Errachidi, the microscopic universe of the Sahrawi landscape<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>After a year of commemorations, where has Morocco\u2019s contemporary scene gone? Diptyk #56 went looking for it in the medinas, public gardens and places where it took refuge, and devotes a feature to the new curators. This summer 2021 issue also celebrates the great names of the Casablanca School, from Farid Belkahia at the Centre Pompidou to Mohamed Chab\u00e2a in Abu Dhabi. Reports, analyses, interviews and portfolios complete it, between Morocco, Africa and the world.<\/p>\n","protected":false},"featured_media":20218,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-19735","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #56<\/title>\n<meta name=\"description\" content=\"Diptyk Magazine #76: Morocco Makes Its Debut at the Venice Biennale. Choose the print version or the PDF version. 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