{"id":19749,"date":"2026-09-28T13:18:06","date_gmt":"2026-09-28T13:18:06","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=19749"},"modified":"2026-09-29T06:03:42","modified_gmt":"2026-09-29T06:03:42","slug":"diptyk-53-54","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-53-54\/","title":{"rendered":"Diptyk #53-54"},"content":{"rendered":"<ul>\n<li>Game changer \u2013 Duro Olowu, the culture of style<\/li>\n<li>News \u2013 Patrice de Mazi\u00e8res has passed away; African art, the state of play; A busy restart for the FNM<\/li>\n<li>Work in progress \u2013 Echoes from the Moroccan scene<\/li>\n<li>Exhibitions \u2013 China-Africa at the Centre Pompidou, The Casablanca School at the IMA Tourcoing, \u201cCroyances : faire et d\u00e9faire l\u2019invisible\u201d, Mohssin Harraki, William Kentridge, An east wind on modern art\u2026<\/li>\n<li>Portfolio \u2013 Alun Be, awakener of consciousness; Ma\u00efmouna Guerresi, Sab\u00e2atou Rijal, seven saints to turn to<\/li>\n<li>Stories \u2013 The Dakar Biennale did not take place; The Fouad Bellamine enigma; Test tubes of art, biennales are put to the test in turn; The digitization of art, a revolution?; Moroccan photography takes off; C\u00f4te d\u2019Ivoire, a scene that counts<\/li>\n<li>Art Market \u2013 Galleries reinvent themselves online; A portrait of C\u00e9cile Fakhoury; Chart Art Fair, the Scandinavians opt for a 100% female fair; How to buy an Omar Victor Diop?; How to buy a Lorna Simpson?; Henry Taylor, a lightning rise; Sales: business picks up again<\/li>\n<li>Books \u2013 When comics turn documentary; Paris is a moveable feast; Remember Kinshasa, 1974<\/li>\n<li>The Incubator \u2013 Othmane Bengebara, Our own land<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>During the 2020 health crisis, the art world moved online and new voices came to the fore. Diptyk #53-54, the summer double issue, explores these new identities. It tells of a Dakar Biennale that did not take place, the rise of Moroccan photography and an Ivorian scene that counts. Portfolios, interviews and analyses complete the issue, from a portrait of gallerist C\u00e9cile Fakhoury to galleries reinventing themselves online.<\/p>\n","protected":false},"featured_media":20226,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-19749","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #53-54<\/title>\n<meta name=\"description\" content=\"Diptyk Magazine #76: Morocco Makes Its Debut at the Venice Biennale. Choose the print version or the PDF version. 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