{"id":19770,"date":"2026-09-28T13:18:05","date_gmt":"2026-09-28T13:18:05","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=19770"},"modified":"2026-09-29T06:03:43","modified_gmt":"2026-09-29T06:03:43","slug":"diptyk-51","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-51\/","title":{"rendered":"Diptyk #51"},"content":{"rendered":"<ul>\n<li>Game changer \u2013 St\u00e9phanie Gaou, drunk on paper<\/li>\n<li>News \u2013 Africa express; Buenos Aires; Here and elsewhere<\/li>\n<li>Exhibitions \u2013 Zineb Sedira at the Jeu de Paume, Fouad Bellamine, \u201cPr\u00eate-moi ton r\u00eave\u201d in Dakar, Abdelk\u00e9bir Rabi\u2019, Tilt, \u201cCheck My Point\u201d\u2026<\/li>\n<li>The Eye Listens \u2013 Bruno Nassim Aboudrar, Rothko and his brothers<\/li>\n<li>Portfolio \u2013 Alexia Webster, the world is a studio<\/li>\n<li>Story \u2013 Mohamed Hamidi, the journey of a bold introvert; The Rencontres de Bamako, opposing currents; El Anatsui: \u201cI do not share the idea of a universal culture\u201d; Lubumbashi, the miracle; Should African sculpture be saved?; Arts of Islam, an ambiguous category<\/li>\n<li>Art Market \u2013 African American art: catching up; AKAA settles into the Paris landscape; Two sales confirm Marrakech\u2019s appeal<\/li>\n<li>The Collection \u2013 Sindika Dokolo<\/li>\n<li>Books \u2013 An absent memory; Reproducing the infinite; The accidental beauty of the world; A not-so-flat country<\/li>\n<li>The Incubator \u2013 Ziyad El Mansouri, between expressionism and surrealism<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Discreet yet daring, Mohamed Hamidi is on the cover of Diptyk #51, which retraces the path of this pioneer of Moroccan modern painting. This December 2019\u2013January 2020 issue also tours Africa\u2019s biennales: the Rencontres de Bamako, the Lubumbashi \u201cmiracle\u201d and sculpture in Ouagadougou. It also features El Anatsui at Mathaf in Doha and meets the collector Sindika Dokolo. Reports, analyses and portfolios complete the issue.<\/p>\n","protected":false},"featured_media":20312,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-19770","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #51<\/title>\n<meta name=\"description\" content=\"Diptyk Magazine #76: Morocco Makes Its Debut at the Venice Biennale. 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