{"id":19791,"date":"2026-09-28T13:18:04","date_gmt":"2026-09-28T13:18:04","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=19791"},"modified":"2026-09-29T06:03:43","modified_gmt":"2026-09-29T06:03:43","slug":"diptyk-48","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-48\/","title":{"rendered":"Diptyk #48"},"content":{"rendered":"<ul>\n<li>Game changer \u2013 Abdelkader Damani, doctor of biennales<\/li>\n<li>News \u2013 Koyo Kouoh takes the helm of Zeitz MOCAA; Lubumbashi puts the South back at the centre; Fran\u00e7oise Verg\u00e8s: \u201cThe knowledge of the Global South continues to be underestimated\u201d<\/li>\n<li>The Eye Listens \u2013 Bruno Nassim Aboudrar, getting out of racialized history<\/li>\n<li>Exhibitions \u2013 Mohamed El Baz, society as a verdict; Christo, the artist of the impossible; Abdelkader Benchamma, where do images come from?; Amine Oulmakki, meditating on oblivion\u2026<\/li>\n<li>Portfolio \u2013 Elsa Bleda, windows at night<\/li>\n<li>Story \u2013 Mohamed Melehi, painting is cosa mentale; Qatar, a museum to anchor itself in history; \u201cLumi\u00e8res d\u2019Afriques\u201d, a plea for African influence; Hassan El Glaoui, bard of ancestral memory; What Moroccan cinema could have been<\/li>\n<li>Art Market \u2013 Fine works on paper for true collectors; Samuel Fraiberger: \u201cSome artists enjoy a kind of guaranteed success\u201d; Piasa\u2019s African sale aims to surprise; The dazzling health of the art market<\/li>\n<li>The Collection \u2013 David Brolliet<\/li>\n<li>Books \u2013 Decolonizing art<\/li>\n<li>The Incubator \u2013 Meriem Wakrim, between drawing and digital<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>At over 80, Mohamed Melehi remains the archetype of the avant-garde artist, celebrated both in Rabat and in London. His Solar Nostalgia is on the cover of Diptyk #48. This April\u2013May 2019 issue also visits the National Museum of Qatar, Jean Nouvel\u2019s \u201cdesert rose\u201d in Doha, and looks back at what Moroccan cinema of the 1970s could have been. It also pays tribute to Hassan El Glaoui. Reports, analyses and portfolios complete the issue.<\/p>\n","protected":false},"featured_media":20324,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-19791","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #48<\/title>\n<meta name=\"description\" content=\"Diptyk Magazine #76: Morocco Makes Its Debut at the Venice Biennale. Choose the print version or the PDF version. 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