{"id":19805,"date":"2026-09-28T13:18:03","date_gmt":"2026-09-28T13:18:03","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=19805"},"modified":"2026-09-29T06:03:44","modified_gmt":"2026-09-29T06:03:44","slug":"diptyk-46","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-46\/","title":{"rendered":"Diptyk #46"},"content":{"rendered":"<ul>\n<li>News \u2013 Belkahia at the Pompidou; Maribel L\u00f3pez, future director of ARCOmadrid; Sandra Laguna presides over the destiny of the Louvre Abu Dhabi<\/li>\n<li>Opening Words \u2013 Abdelkader Damani prepares the Rabat Biennale<\/li>\n<li>The Eye Listens \u2013 Bruno Nassim Aboudrar, Bouzbir, a place of women\u2019s suffering<\/li>\n<li>Exhibitions \u2013 Mariam Abouzid Souali at the Comptoir des Mines, from one shipwreck to another; Marion Boehm, reweaving history; Mathaf, fist still raised; MAC VAL, a sense of hospitality; Hendrik Beikirch, we are all Siberians; Emeka Ogboh, in the city that never falls silent\u2026<\/li>\n<li>Portfolio \u2013 Fatimzohra Serri, what do young girls dream of?<\/li>\n<li>Story \u2013 Farid Belkahia and the Casablanca School of Fine Arts, the invention of another modernity; Mariam Abouzid Souali, painting as child\u2019s play; In the studio of Safaa Erruas; Abdellah Ta\u00efa, the cry of the tattooed girl<\/li>\n<li>Art Market \u2013 Lagos, the new crossroads of art; Copyright \/ copywrong: where does inspiration end and plagiarism begin?; Artcurial stays loyal to contemporary African art and Marrakech; Mexico, an open-air museum; \u201cI wanted to bear witness to a different vision\u201d<\/li>\n<li>The Collection \u2013 Lina Lazaar<\/li>\n<li>Books \u2013 Drawings to read<\/li>\n<li>The Incubator \u2013 Kamal Saki, the erosion of time and memory<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThere is no such thing as women\u2019s art\u201d: yet it is a series of women artists who drive Diptyk #46. Fatima Mazmouz tells the story of the Bouzbir district, Mariam Abouzid Souali restages the Raft of the Medusa and Safaa Erruas opens her studio. This December 2018\u2013January 2019 issue also looks back at Farid Belkahia and the Casablanca School, on the cover, and reports from Lagos, an arty city. Interviews, analyses and portfolios complete the issue.<\/p>\n","protected":false},"featured_media":20332,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-19805","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #46<\/title>\n<meta name=\"description\" content=\"Diptyk Magazine #76: Morocco Makes Its Debut at the Venice Biennale. Choose the print version or the PDF version. 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