{"id":19823,"date":"2026-09-28T13:18:02","date_gmt":"2026-09-28T13:18:02","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=19823"},"modified":"2026-09-29T06:03:44","modified_gmt":"2026-09-29T06:03:44","slug":"diptyk-44","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-44\/","title":{"rendered":"Diptyk #44"},"content":{"rendered":"<ul>\n<li>News \u2013 Yto Barrada and Barth\u00e9l\u00e9my Toguo (very) big at Art Basel; A 100% female biennale in Rabat; Fabrice Hyber launches \u201cLes r\u00e9alisateurs\u201d in Morocco<\/li>\n<li>Opening Words \u2013 Koyo Kouoh<\/li>\n<li>Exhibitions \u2013 Omar Mahfoudi, sensual adolescence; Mo Baala, the childhood of art; Football, an art in itself; The Rencontres photographiques de Rabat, on the edge of oblivion; Guardians of memories; Mohamed Larbi Rahhali, recycling the futile; Happy like Ibn Battuta at the Bank Al-Maghrib Museum; Kader Attia, the spaces we inhabit; Maya-In\u00e8s Touam, cans, wax and old lace; Baghdad mon amour; Fatime Zahra Morjani, the temptation of the beyond-black\u2026<\/li>\n<li>Story \u2013 Dak\u2019art 2018, the hour of all miracles?; The Yves Saint Laurent Museum, a story of elective affinities; Hicham Gardaf, refugee of modernity; Inventing the museum of the future; Mohamed Arejdal\u2019s dream school; Saad Hassani, from one studio to another; Sabrina Belouaar, imprints of identity<\/li>\n<li>Art Market \u2013 Masterpieces of the Casablanca School; Crushes at Pioneer Works; Brazilian contemporary art faces the crisis<\/li>\n<li>The Collection \u2013 Thomas Cazenave<\/li>\n<li>Books \u2013 The art of travelling<\/li>\n<li>The Incubator \u2013 Hajar Moussa, between comics and illustration<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Nine years after its first issue, Diptyk asks a new question: is there an audience for contemporary Arab and African art? This summer 2018 issue looks for the answer at the Dakar Biennale, celebrated like a national holiday. Diptyk #44 also follows Hicham Gardaf, a \u201crefugee of modernity\u201d, and imagines the museum of the future. It looks back at the Jemaa El Fna manifesto, fifty years on, and at masterpieces of the Casablanca School sold at auction. Interviews and portfolios complete the issue.<\/p>\n","protected":false},"featured_media":20340,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-19823","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #44<\/title>\n<meta name=\"description\" content=\"Diptyk Magazine #76: Morocco Makes Its Debut at the Venice Biennale. Choose the print version or the PDF version. 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