{"id":19912,"date":"2026-09-28T13:17:57","date_gmt":"2026-09-28T13:17:57","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=19912"},"modified":"2026-09-29T06:03:44","modified_gmt":"2026-09-29T06:03:44","slug":"diptyk-42","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-42\/","title":{"rendered":"Diptyk #42"},"content":{"rendered":"<ul>\n<li>News \u2013 Casablanca comes to Brussels; Ousmane Sow at the MMVI; Meriem Berrada heads the cultural projects of the Fondation Alliances<\/li>\n<li>Opening Words \u2013 Mahi Binebine: \u201cAt the \u00c9toiles de Sidi Moumen, we teach children a culture of life, not a culture of death\u201d<\/li>\n<li>The Eye Listens \u2013 Bruno Nassim Aboudrar, I am Hicks, not Penelope!<\/li>\n<li>Exhibitions \u2013 Meeting the artists at the Comptoir des Mines; Africa is a world at the MACAAL; Noureddine Amir, dresses for times to come; Cotonou connection at the Fondation Montresso; A poetic stroll; \u00c9ric Van Hove, my little business; M\u2019barek Bouhchichi, the poet, the artist and the sharecropper; Yoriyas\u2019s Casablanca; Anuar Khalifi, the enfant terrible of painting; Do sounds have a soul?\u2026<\/li>\n<li>Portfolio \u2013 Walid Marfouk, a theatre of the imagination<\/li>\n<li>Story \u2013 1-54 Marrakech, the new stronghold of contemporary African art; Daoud Aoulad-Syad\u2019s travelling studio; Chourouk Hriech\u2019s Japan<\/li>\n<li>Art Market \u2013 Does contemporary African art perform on the secondary market?; Carlos Urroz: \u201cARCO is a fair of discovery\u201d; Art Paris turns 20<\/li>\n<li>Books \u2013 The artist\u2019s life<\/li>\n<li>The Incubator \u2013 Sanae Arraqas, Alienation<\/li>\n<li>The Collection \u2013 \u00c9lisabeth Bauchet-Bouhlal<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>At the end of February 2018, the 1-54 fair comes to Marrakech for its first edition on the African continent. Diptyk #42 devotes a major feature to it, between the fair, satellite exhibitions and new scenes. This February\u2013March issue also presents Walid Marfouk and his theatre of the imagination, on the cover, and Chourouk Hriech\u2019s Japanese notebook. It looks back at Daoud Aoulad-Syad\u2019s retrospective and gives the floor to Mahi Binebine. Reports, analyses and portfolios complete the issue.<\/p>\n","protected":false},"featured_media":20348,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-19912","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #42<\/title>\n<meta name=\"description\" content=\"Diptyk Magazine #76: Morocco Makes Its Debut at the Venice Biennale. Choose the print version or the PDF version. 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