{"id":19913,"date":"2026-09-28T13:17:57","date_gmt":"2026-09-28T13:17:57","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=19913"},"modified":"2026-09-28T13:57:28","modified_gmt":"2026-09-28T13:57:28","slug":"diptyk-29","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-29\/","title":{"rendered":"Diptyk #29"},"content":{"rendered":"<ul>\n<li>News \u2013 Photoshed: A Detour Through Casablanca; A Duchampian Inventory in Brussels; Diego Moya: Nature at Work; Zaatari: The Traces of Time<\/li>\n<li>Exhibitions \u2013 Alexandre Eudier\u2019s Pranks; Mohamed Larbi Rahhali, Cabinet of Curiosities; Bruce Nauman on Loop; Fquih Regragui, Fake Yet Authentic; Questioning the Feminine at the Bank Al-Maghrib Museum; Made in the South; Malik Nejmi\u2019s Fraternal Cinema; Hassan Echair, One Must Imagine Sisyphus Happy and Lighthearted; Universal Moroccanities\u2026<\/li>\n<li>Portfolio \u2013 Namsa Leuba, Touching the Untouchable<\/li>\n<li>Story \u2013 Street Art at the MMVI: From the Street to the Museum; Pascale Marthine Tayou, All the Gris-Gris in the World; London, A Subjective Approach to Photography; Yazid Oulab, Walking a Tightrope; Venice, What Can a Biennale Do in the Face of the World?; Benyounes Semtati, Illegal Structures; Photography\/Fashion, I Love You, But I Don\u2019t Love You <\/li>\n<li>Art Market \u2013 Touria El Glaoui: \u201cAfrican Art Is a Great Investment\u201d; Brussels, the City Where Collecting Is an Art Form; The Promise of Drawing; Art Brussels, the Belgian Recipe for Success; Crimes Against Culture<\/li>\n<li>Books \u2013 Mounir Fatmi: \u201cCensorship works like a virus\u201d<\/li>\n<li>The Incubator \u2013 Wiame Haddad, Those Who Remain<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>What if Moroccan photography really shines in fashion? Diptyk #29 dedicates its feature to \u201cPhoto\/Fashion: I Love You, Me Neither,\u201d where an entire young generation is spreading its wings. This Summer 2015 issue also explores what a biennial can still offer the world, with a focus on Venice. It features a portfolio by Namsa Leuba and profiles Pascale Marthine Tayou. It traces the evolution of street art from the streets to the Mohammed VI Museum and profiles Yazid Oulab.    <\/p>\n","protected":false},"featured_media":20392,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-19913","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #29<\/title>\n<meta name=\"description\" content=\"Diptyk Magazine #29: Photo\/Fashion, Love-Hate Relationship. Venice: What Can a Biennale Do? 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