{"id":19917,"date":"2026-09-28T13:17:57","date_gmt":"2026-09-28T13:17:57","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=19917"},"modified":"2026-09-28T13:57:29","modified_gmt":"2026-09-28T13:57:29","slug":"diptyk-33","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-33\/","title":{"rendered":"Diptyk #33"},"content":{"rendered":"<ul>\n<li>News \u2013 Farewell to Zaha Hadid; Casa\u2019s Sacr\u00e9-C\u0153ur, a Future \u201cCultural Hub\u201d?; Alya Sebti to Head Berlin\u2019s ifa-Galerie <\/li>\n<li>Headlines \u2013 Touria El Glaoui: \u201cAfrican art is a great investment\u201d<\/li>\n<li>The Eye Listens \u2013 Bruno Nassim Aboudrar, Bacchus: A Genealogy<\/li>\n<li>Exhibitions \u2013 Yasmina Alaoui, The Physics of Opposites; Souffles, Back Then; Majida Khattari and Abdellah Ta\u00efa, Hide That Foot That I Cannot See\u2026; Sa\u00e2d Hassani, A Studio in Cold Light; M\u2019barek Bouhchichi and Omar Berrada, My Name Is Black; Marrakech Biennale: \u201cA Biennale Is Always a Political Act\u201d; Over at Swiz\u2026<\/li>\n<li>Portfolio \u2013 Seydou Ke\u00efta<\/li>\n<li>Story \u2013 Mastermind: Down with the Norm!; Jean Genet, the Eternal Rebel; Simon Njami: \u201cA good biennial is one that makes me cry in another language\u201d; Giacometti, the Impossible Quest for Art; Marine Pag\u00e8s, Drawing as a Stroll; Farid Belkahia, a Legacy That Transcends Borders; Rancinan, the Art of Excess <\/li>\n<li>Art Market \u2013 Crisis? What Crisis?; An Auction Under Close Scrutiny; Art Dubai: A Mist-Shrouded Edition; The Golden Age of Contemporary Drawing; African Contemporary Art Takes the World by Storm; Destruction of Cultural Heritage: A War Crime  <\/li>\n<li>Books \u2013 Vincent Godeau: \u201cAfrican Photography Is Breaking Free from the West\u201d<\/li>\n<li>The Incubator \u2013 Adil Kourkouni<\/li>\n<li>The Illustrator \u2013 A\u00efcha El Beloui: You Can&#8217;t Judge Heritage by Appearances<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>For the first time in Africa, Alberto Giacometti is the subject of a retrospective at the Mohammed VI Museum in Rabat. Diptyk #33 accompanies the exhibition with writings by Jean Genet and Tahar Ben Jelloun. This April\u2013May 2016 issue also celebrates the power of the written word, featuring Jean Genet, the eternal rebel, at the MuCEM, and Abdellah Ta\u00efa. It features a portfolio by Seydou Ke\u00efta and an interview with Simon Njami ahead of the Dakar Biennale. It also revisits Farid Belkahia\u2019s home and takes stock of the art market in 2016.    <\/p>\n","protected":false},"featured_media":20378,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-19917","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #33<\/title>\n<meta name=\"description\" content=\"Diptyk magazine #33: Giacometti, in Africa for the first time. 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