{"id":19919,"date":"2026-09-28T13:17:58","date_gmt":"2026-09-28T13:17:58","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=19919"},"modified":"2026-09-28T13:57:28","modified_gmt":"2026-09-28T13:57:28","slug":"diptyk-31","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-31\/","title":{"rendered":"Diptyk #31"},"content":{"rendered":"<ul>\n<li>News \u2013 Marrakech Biennale; In Tangier, Grunge After Beatnik; A Stopover in Marrakech Before Paris<\/li>\n<li>Opening Remarks \u2013 Faouzi Laatiris: \u201cThe era of the masters is over\u201d<\/li>\n<li>Exhibitions \u2013 Would You Like Another Ladleful of Kitsch?; Paradise, and Then What?; This Is Not a Photograph; Sa\u00e2d Ben Cheffaj, A Midsummer Night\u2019s Dream of Hope; Mohamed Melehi, Painting as the Art of Repetition; The Dak\u2019Art Challenge; The Art of Transformation; Mustapha Akrim, The Other Side of the Bill; The Letter and the Spirit; Youssef Titou, A Syntax of Paradox; Casablanca Allegories; Amina Benbouchta, To Bloom and Reveal Oneself\u2026  <\/li>\n<li>Portfolio \u2013 Uche Okpa-Iroha: See What&#8217;s Missing<\/li>\n<li>Story \u2013 Simon Njami, the interview; Biennale of Photographers from the Arab World; Bamako Struggles to Envision the Future; Karim Ghelloussi, In Search of the Lost Body; Malala Andrialavidrazana, Being Born Somewhere; Compress, Enlarge, Spread: C\u00e9sar, the Master of Gesture; Breath, Literature, Thought, Art: The Same Struggle<\/li>\n<li>Art Market \u2013 Miami: The Art of Excess; Paris Photo: Photography in Decline; CMOOA: Nothing but Stars Under the Hammer!; Artists\u2019 Foundations: What\u2019s the Point? <\/li>\n<li>Books \u2013 Magali Nachtergael: \u201cBarthes is a discreet yet very prominent figure\u201d<\/li>\n<li>The Incubator \u2013 Abdessamad El Montassir, The Whole World Is a Cactus<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>From *Le Pouce* to *Compressions*, the Mohammed VI Museum is dedicating a major exhibition to C\u00e9sar, and *Diptyk* #31 explores how the sculptor prioritized the machine over the hand. This December 2015\u2013January 2016 issue also looks back at the magazine *Souffles*, which, fifty years ago, campaigned for cultural decolonization. It features a visit to the Biennale of Photographers from the Arab World in Paris. It also features a portfolio by Uche Okpa-Iroha, an interview with Simon Njami, and a report on the Rencontres de Bamako.   <\/p>\n","protected":false},"featured_media":20386,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-19919","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #31<\/title>\n<meta name=\"description\" content=\"Diptyk Magazine #31: C\u00e9sar, a Masterful Gesture at the MMVI. 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