{"id":19936,"date":"2026-09-28T13:17:55","date_gmt":"2026-09-28T13:17:55","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=19936"},"modified":"2026-09-28T13:57:30","modified_gmt":"2026-09-28T13:57:30","slug":"diptyk-41","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-41\/","title":{"rendered":"Diptyk #41"},"content":{"rendered":"<ul>\n<li>News \u2013 All About Mohammed Kacimi; Morocco Makes a Strong Showing in Dakar; The Casablanca Biennale Unveils Its Theme<\/li>\n<li>Opening Remarks \u2013 *The Square*, by Ruben \u00d6stlund<\/li>\n<li>The Incubator \u2013 Khadija El Abyad: The Body Between Pain and Constraint<\/li>\n<li>Exhibitions \u2013 Open Call for Proposals at the Institute of Islamic Cultures; Mohamed Melehi, The Constancy of the Wave; Rediscovering Miloud Labied; What Dada Owes to Africa; Designers of Modern Life; Abdeslam Karmadi and Rahma La\u00e2roussi, Mother and Son; Hassan Hajjaj, \u201cWe Are Family\u201d; Yassine Mekhnache, \u201cThe Wisdom of Defiance\u201d<\/li>\n<li>Portfolio \u2013 Malick Sidib\u00e9, the Y\u00e9y\u00e9 Years<\/li>\n<li>Story \u2013 Bamako Biennale, Africa Pride; Mustapha Akrim, A Petrified Memory; Othmane Dilami, The World Was His Home; Fr\u00e9d\u00e9ric Jousset: \u201cEverything Must Change So That Nothing Changes\u201d; Ahmed El Almi, The Forgotten Memory of Casablanca; Sharjah, a Temple of High Culture; Mohamed Sijelmassi, A Poetry of Sensibility; Jacques Majorelle, Between Decorative Realism and Pop Naturalism<\/li>\n<li>Art Market \u2013 Roxana Azimi: \u201cCollecting Isn\u2019t About Following Stock Market Trends\u201d; Should You Buy Antiques or Contemporary Art?<\/li>\n<li>Books \u2013 Art Is Money<\/li>\n<li>The Collector \u2013 Mohammed Bouzoubaa<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>For its 41st issue, Diptyk is changing its tone and aims to bring contemporary art out of its insular world by grounding it in the real world. This December 2017\u2013January 2018 issue celebrates Africa\u2019s rising profile at the Rencontres de Bamako and features a portfolio by Malick Sidib\u00e9. It follows Mustapha Akrim\u2019s art project and commemorates the centennial of Jacques Majorelle. It also travels to Sharjah, a mecca for high culture, and features the film *The Square*. Interviews, analyses, and photo features round out the issue.    <\/p>\n","protected":false},"featured_media":20352,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-19936","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #41<\/title>\n<meta name=\"description\" content=\"Diptyk magazine #41: Bamako Biennale, Africa Pride. 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