{"id":20029,"date":"2026-09-28T13:17:52","date_gmt":"2026-09-28T13:17:52","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=20029"},"modified":"2026-09-28T13:57:25","modified_gmt":"2026-09-28T13:57:25","slug":"diptyk-15","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-15\/","title":{"rendered":"Diptyk #15"},"content":{"rendered":"<ul>\n<li>News \u2013 A Day at Documenta; Abdelaziz Zerrou: \u201cI Tell a Story Stained with Blood and Symbols\u201d; Spotlight on Arab Art; Zineb Sedira Opens an Artist-in-Residence Program in Algiers; Morocco in the Spotlight at the Louvre\u2019s Department of Islamic Art; The Louvre Abu Dhabi Acquires Its First Photographic Works<\/li>\n<li>Exhibitions \u2013 Zakaria Ramhani, Making the Canvas Scream; Philippe Cazal, The Letter: An Abstract and Playful Form; Amparo Sard, Violent Beauty; Monia Abdelali, Humor and Painting: An Explosive Combination; The World Is Not Enough\u2026<\/li>\n<li>Story \u2013 L\u2019Usine, a Brownfield Site for Art; African Art, Here and Now<\/li>\n<li>Portfolio \u2013 Charif Benhelima, &#8220;Harlem on My Mind&#8221;<\/li>\n<li>Story \u2013 Reda Moali: \u201cThe very idea of a collection scares me\u201d; Daba, Art in Morocco, Now; A Brief Plea for Engaged Art; Youn\u00e8s Baba-Ali: \u201cI\u2019m a pain in the neck\u201d; Youn\u00e8s Baba-Ali, the entire universe in a single atom; Art and dance, dancers and visual artists, fighting the same battle; Chourouk Hriech, drawing, the backbone of experimentation<\/li>\n<li>Art Market \u2013 The Must-See FIAC; Sotheby\u2019s Auctions Off Treasures from the Guerrand-Herm\u00e8s Collection; Records on the Horizon for Christie\u2019s Dubai<\/li>\n<li>Books<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>In the fall of 2012, the Moroccan art scene set out to conquer Belgium with the Daba season, and Diptyk #15 dedicated its feature \u201cArt in Morocco\u2026 now\u201d to it. This October\u2013November issue also features a profile of Youn\u00e8s Baba-Ali, who describes himself as a \u201ctroublemaker,\u201d and publishes Charif Benhelima\u2019s *Harlem*. It explores the fusion of dance and the visual arts and spends a day at Documenta. It also features a visit to L\u2019Usine, an art hub in a former industrial site, and an interview with collector Reda Moali.   <\/p>\n","protected":false},"featured_media":20437,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-20029","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #15<\/title>\n<meta name=\"description\" content=\"Diptyk magazine #15: Art in Morocco\u2026 now, the Daba season in Brussels. 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