{"id":20083,"date":"2026-09-28T13:17:48","date_gmt":"2026-09-28T13:17:48","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=20083"},"modified":"2026-09-29T06:03:45","modified_gmt":"2026-09-29T06:03:45","slug":"diptyk-6","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-6\/","title":{"rendered":"Diptyk #6"},"content":{"rendered":"<ul>\n<li>Portfolio \u2013 Ed Kashi, \u00d4 Madagascar!<\/li>\n<li>Feature \u2013 Art and fashion, a passionate couple<\/li>\n<li>The Studio of \u2013 Farid Belkahia, thin-skinned and uncompromising<\/li>\n<li>The Artist \u2013 Kader Attia, without compromise<\/li>\n<li>The Gallery Owner \u2013 Anne de Villepoix, the warrior<\/li>\n<li>Art Market \u2013 Video art, this is only the beginning\u2026; Gharbaoui, a rising international market value<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>For summer 2010, Diptyk #6 devotes its feature to the passionate couple formed by art and fashion. This June\u2013September issue publishes Ed Kashi\u2019s portfolio, \u201c\u00d4 Madagascar!\u201d. It enters the studio of Farid Belkahia, thin-skinned and uncompromising, and meets Kader Attia, without compromise, as well as gallerist Anne de Villepoix, \u201cthe warrior\u201d. On the market side, the issue shows that video art is only just beginning and follows Gharbaoui\u2019s rising international market value.<\/p>\n","protected":false},"featured_media":20522,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-20083","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #6<\/title>\n<meta name=\"description\" content=\"Diptyk Magazine #76: Morocco Makes Its Debut at the Venice Biennale. Choose the print version or the PDF version. 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