{"id":20687,"date":"2026-09-28T13:17:57","date_gmt":"2026-09-28T13:17:57","guid":{"rendered":"https:\/\/www.diptykmag.com\/product\/diptyk-34-copy\/"},"modified":"2026-09-28T13:57:29","modified_gmt":"2026-09-28T13:57:29","slug":"diptyk-34","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-34\/","title":{"rendered":"Diptyk #34"},"content":{"rendered":"<ul>\n<li>News \u2013 The MMVI Teams Up with the Centre Pompidou; Leila Alaoui, Posthumously Named Curator; Tangier: Not Just the Beatniks!<\/li>\n<li>Opening Remarks \u2013 Jean-Hubert Martin: \u201cNothing in the creative process is linear; rather, it is chaotic and unexpected.\u201d<\/li>\n<li>The Eye Listens \u2013 Bruno Nassim Aboudrar, Women in Algeria<\/li>\n<li>Exhibitions \u2013 Leila Alaoui, \u201cI Wish I Had Known\u2026\u201d; Africa Pop at the Rencontres d\u2019Arles: Moving Beyond Fantasies; \u201cEffervescence\u201d at the Institute of Islamic Cultures; The Intimate Epic of Amina Benbouchta; Amina Agueznay, Amina Weaves; Yassine Balbzioui, Whimsical Fiction or Reality; Hassan Darsi, Return to Sodom and Gomorrah; David Bloch: \u201cI Expect More from My Artists Than Just Graffiti on Canvas\u201d; Unexpected Encounters\u2026<\/li>\n<li>Portfolio \u2013 Dawit L. Petros, Sublime Wandering<\/li>\n<li>Story \u2013 The Halqa According to Tino Sehgal; Nidhal Chamekh, \u201cSometimes It Snows in April\u201d; Fleeting Volumes at the MMVI: Beyond Apparent Disorder; Mounir Fatmi: \u201cI Write with Fire\u201d; Driss Aroussi, Adventurer of a Lost Alphabet; Dak\u2019Art: From Chaos Comes Harmony; When Artists Are in a Bind; Brahim Alaoui: Tangier, a Stop on the Beat Generation\u2019s Journey<\/li>\n<li>Art Market \u2013 Berlin, the Studio City; 1:54 New York, \u201cIt\u2019s not an art fair, it\u2019s a family affair\u201d; Elizabeth Bouhlal: \u201cI don\u2019t care about the price of artworks\u201d; What\u2019s Holding Back the Art Market in Morocco<\/li>\n<li>Books \u2013 Graphic Novels: A Closer Look at Five Gems<\/li>\n<li>The Illustrator \u2013 A\u00efcha El Beloui<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Erasure, Overlay, Reappropriation: Diptyk #34 explores the palimpsests of contemporary art. In a lengthy interview, Mounir Fatmi discusses his close ties to the Beat Generation in Tangier. This summer 2016 issue also features a portfolio by Dawit L. Petros on the cover and covers Tino Sehgal\u2019s halqa in Marrakesh. He visits the exhibition \u201cFugitive Volumes\u201d at the Mohammed VI Museum and reflects on the Dakar Biennale. Finally, the issue features a special section on embroidery that addresses sexuality and this summer\u2019s graphic novels.    <\/p>\n","protected":false},"featured_media":20688,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-20687","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptyk #34<\/title>\n<meta name=\"description\" content=\"Diptyk magazine #34: Contemporary Palimpsests. Mounir Fatmi and the Beat Generation, Dawit L. 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