{"id":21214,"date":"2026-10-06T10:01:36","date_gmt":"2026-10-06T10:01:36","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=21214"},"modified":"2026-10-06T10:50:05","modified_gmt":"2026-10-06T10:50:05","slug":"a-la-biennale-de-dakar-un-monde-a-forger","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/a-la-biennale-de-dakar-un-monde-a-forger\/","title":{"rendered":"Dakar Biennale: a world in the making"},"content":{"rendered":"<ul>\n<li>Dakar Biennale \u2013 Malick Ndiaye: &#8220;The Dakar Biennale is a call to disobedience&#8221;<\/li>\n<li>Portrait \u2013 Abdoulaye Konat\u00e9, the fragility of the butterfly<\/li>\n<li>Mots de t\u00eate \u2013 Felwine Sarr<\/li>\n<li>Work in progress \u2013 Themba Khumalo&#8217;s land of fire; Khadija Jayi, goddess of hell; Dhewadi Hadjab, those moments when we fall; Vincent Mich\u00e9a; Khadija El Abyad destigmatises the body; Yvanovitch Mbaya in black and white<\/li>\n<li>Portfolio \u2013 Seif Kousmate: Being LGBT in Mauritania, a faceless struggle<\/li>\n<li>Venice Biennale \u2013 Venice, African presences<\/li>\n<li>Restitution \u2013 Benin, the restitution<\/li>\n<li>C\u00f4te d&#8217;Ivoire \u2013 A scene that counts<\/li>\n<li>Dossier \u2013 Listening to the silences of the desert<\/li>\n<li>Art market \u2013 NFTs and the blockchain, an opportunity for African art; Osinachi, the first African artist to make NFTs; Omar Ba, collectors&#8217; darling; How to buy an Omar Victor Diop?; The collection of\u2026 Amadou Diaw<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>For the 14th Dakar Biennale, Diptyk published a digital-only special edition. It features an interview with artistic director Malick Ndiaye, a portrait of Abdoulaye Konat\u00e9, Felwine Sarr and a portfolio by Seif Kousmate. It also covers African presences in Venice, restitutions to Benin and the Ivorian art scene, with a focus on NFTs and the African art market.<\/p>\n","protected":false},"featured_media":21219,"template":"","meta":[],"product_brand":[],"product_cat":[1698,1411],"product_tag":[1689],"class_list":["post-21214","product","type-product","status-publish","has-post-thumbnail","product_cat-special-issue","product_cat-uncategorized","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Dakar Biennale: a world in the making<\/title>\n<meta name=\"description\" content=\"Diptyk magazine special edition Dakar 2022: the Dakar Biennale, Malick Ndiaye, restitutions, NFTs and the African art market.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.diptykmag.com\/en\/product\/a-la-biennale-de-dakar-un-monde-a-forger\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dakar Biennale: a world in the making\" \/>\n<meta property=\"og:description\" content=\"Diptyk magazine special edition Dakar 2022: the Dakar Biennale, Malick Ndiaye, restitutions, NFTs and the African art market.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.diptykmag.com\/en\/product\/a-la-biennale-de-dakar-un-monde-a-forger\/\" \/>\n<meta property=\"og:site_name\" content=\"Diptykmag\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-06T10:50:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2026\/10\/Capture-decran-2026-10-06-a-09.03.30-791x1024.png\" \/>\n\t<meta property=\"og:image:width\" content=\"791\" \/>\n\t<meta property=\"og:image:height\" content=\"1024\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/product\\\/a-la-biennale-de-dakar-un-monde-a-forger\\\/\",\"url\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/product\\\/a-la-biennale-de-dakar-un-monde-a-forger\\\/\",\"name\":\"Dakar Biennale: a world in the making\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/product\\\/a-la-biennale-de-dakar-un-monde-a-forger\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/product\\\/a-la-biennale-de-dakar-un-monde-a-forger\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.diptykmag.com\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/Capture-decran-2026-10-06-a-09.03.30.png\",\"datePublished\":\"2026-10-06T10:01:36+00:00\",\"dateModified\":\"2026-10-06T10:50:05+00:00\",\"description\":\"Diptyk magazine special edition Dakar 2022: the Dakar Biennale, Malick Ndiaye, restitutions, NFTs and the African art market.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/product\\\/a-la-biennale-de-dakar-un-monde-a-forger\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/product\\\/a-la-biennale-de-dakar-un-monde-a-forger\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/product\\\/a-la-biennale-de-dakar-un-monde-a-forger\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.diptykmag.com\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/Capture-decran-2026-10-06-a-09.03.30.png\",\"contentUrl\":\"https:\\\/\\\/www.diptykmag.com\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/Capture-decran-2026-10-06-a-09.03.30.png\",\"width\":976,\"height\":1264,\"caption\":\"Couverture Diptyk \u00e9dition sp\u00e9ciale Dakar 2022 \u2014 homme en costume sombre devant un foisonnement de motifs bleus, rouges et verts\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/product\\\/a-la-biennale-de-dakar-un-monde-a-forger\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"test &#8211; 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