{"id":21335,"date":"2026-10-08T14:20:53","date_gmt":"2026-10-08T14:20:53","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=product&#038;p=21335"},"modified":"2026-10-13T12:05:33","modified_gmt":"2026-10-13T12:05:33","slug":"diptyk-77","status":"publish","type":"product","link":"https:\/\/www.diptykmag.com\/en\/product\/diptyk-77\/","title":{"rendered":"Diptych #77"},"content":{"rendered":"<ul>\n<li>Portfolio \u2013 Khalil Nemmaoui, The Motionless Crossing<\/li>\n<li>Story \u2013 The Biennales of Dakar, Lubumbashi, and Bamako; Ahmad Karmouni, Between Chemistry and Fantasy; The Challenge of a Museum in Casablanca\u2019s Medina; Lyon Biennale: From Exuberance to Whisper; Sara Kontar; Kulte<\/li>\n<li>Critical Journal \u2013 Decolonize, but What?; Hassan Darsi; How to Map Pan-Africanism?; Louisa Babari; Mustaqbal Prize  <\/li>\n<li>Column \u2013 Artists and Assistants: Who Actually Creates the Artwork?<\/li>\n<li>Archives \u2013 Mohammad Omar Khalil, the Sudanese Soul of Assilah; An Archive from Gaza Put to the Test by the Present<\/li>\n<li>Art Market \u2013 Africa and the Middle East: Should They Still Be Treated as Separate Markets?; Cultural Boom in the Gulf; Selim Bouafsoun; Samia Halaby <\/li>\n<li>Books \u2013 Collective Thinking; Bruno Nassim Aboudrar, Against the Myth of Western Painting\u2019s Dominance<\/li>\n<li>The Incubator \u2013 M\u00e9lanie Ebtissem Defoin: Bags Within Bags<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p data-pm-slice=\"1 1 []\">Diptyk #77 explores the concept of emergence in contemporary art in Morocco, Africa, and the Middle East, examining the histories, archives, and institutions that shape these art scenes. This issue features reports, analyses, artist profiles, and portfolios focusing on African biennials, artists\u2019 careers, cultural initiatives, and shifts in the contemporary art market. <\/p>\n","protected":false},"featured_media":21349,"template":"","meta":[],"product_brand":[],"product_cat":[1685,1686],"product_tag":[1689],"class_list":["post-21335","product","type-product","status-publish","has-post-thumbnail","product_cat-pdf","product_cat-print","product_tag-new-design","product_shipping_class-one-time-purchase","first","instock","shipping-taxable","purchasable","product-type-variable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diptych #77<\/title>\n<meta name=\"description\" content=\"Diptyk Magazine #77: The End of the \u201cEmerging\u201d Paradigm? Discover this issue dedicated to contemporary art in Morocco, Africa, and the Middle East.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.diptykmag.com\/en\/product\/diptyk-77\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Diptych #77\" \/>\n<meta property=\"og:description\" content=\"Diptyk Magazine #77: The End of the \u201cEmerging\u201d Paradigm? 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