{"id":16885,"date":"2024-12-29T09:35:34","date_gmt":"2024-12-29T09:35:34","guid":{"rendered":"https:\/\/www.diptykmag.com\/?post_type=shop&p=16885"},"modified":"2026-08-27T09:06:06","modified_gmt":"2026-08-27T09:06:06","slug":"diptyk-70","status":"publish","type":"shop","link":"https:\/\/www.diptykmag.com\/en\/shop\/diptyk-70\/","title":{"rendered":"Diptyk #70"},"content":{"rendered":"\t\t
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Hiver 2024
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L\u2019\u0153il \u00e9coute \u2013\u00a0<\/strong>Malala Andrialavidrazana, me\u0301tamorphose de l\u2019imagerie coloniale.<\/p>

Portfolio \u2013\u00a0<\/strong>Mustapha Azeroual, l\u2019abstraction comme que\u0302te d\u2019absolu.<\/p>

Story \u2013<\/strong>\u00a0Biennale de Dakar, pour en finir avec les oppressions syste\u0301miques.<\/p>

Portrait \u2013<\/strong>\u00a0 Bilal Hamdad, le choix du naturalisme.<\/p>

Dossier \u2013<\/strong>\u00a0Jeunes photographes en que\u0302te d\u2019e\u0301cosyste\u0300me.<\/p>

Reportage \u2013<\/strong>\u00a0Friche La Belle de Mai, la\u0300 ou\u0300 l\u2019art marocain se re\u0301invente.<\/p>

Analyse \u2013<\/strong>\u00a0Au Liban, l\u2019art est une question de survie.<\/p>

March\u00e9 de l\u2019art \u2013\u00a0<\/strong>A\u0300 Abou Dhabi, une foire qui atteint sa maturite\u0301.<\/p>

Regard sur une collection \u2013<\/strong>\u00a0Fondation Attijariwafa Bank.<\/p>

Livres \u2013\u00a0<\/strong>Chroniques de Palestine.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Hiver 2024 L\u2019\u0153il \u00e9coute \u2013\u00a0Malala Andrialavidrazana, me\u0301tamorphose de l\u2019imagerie coloniale. Portfolio \u2013\u00a0Mustapha Azeroual, l\u2019abstraction comme que\u0302te d\u2019absolu. Story \u2013\u00a0Biennale de Dakar, pour en finir avec les oppressions syste\u0301miques. Portrait \u2013\u00a0 Bilal Hamdad, le choix du naturalisme. Dossier \u2013\u00a0Jeunes photographes en que\u0302te d\u2019e\u0301cosyste\u0300me. Reportage \u2013\u00a0Friche La Belle de Mai, la\u0300 ou\u0300 l\u2019art marocain se re\u0301invente. Analyse […]<\/p>\n","protected":false},"featured_media":16938,"template":"","class_list":["post-16885","shop","type-shop","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nDiptyk #70 — Diptykmag<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.diptykmag.com\/en\/shop\/diptyk-70\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Diptyk #70 — Diptykmag\" \/>\n<meta property=\"og:description\" content=\"Hiver 2024 L\u2019\u0153il \u00e9coute \u2013\u00a0Malala Andrialavidrazana, me\u0301tamorphose de l\u2019imagerie coloniale. Portfolio \u2013\u00a0Mustapha Azeroual, l\u2019abstraction comme que\u0302te d\u2019absolu. Story \u2013\u00a0Biennale de Dakar, pour en finir avec les oppressions syste\u0301miques. Portrait \u2013\u00a0 Bilal Hamdad, le choix du naturalisme. Dossier \u2013\u00a0Jeunes photographes en que\u0302te d\u2019e\u0301cosyste\u0300me. Reportage \u2013\u00a0Friche La Belle de Mai, la\u0300 ou\u0300 l\u2019art marocain se re\u0301invente. Analyse […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.diptykmag.com\/en\/shop\/diptyk-70\/\" \/>\n<meta property=\"og:site_name\" content=\"Diptykmag\" \/>\n<meta property=\"article:modified_time\" content=\"2026-08-27T09:06:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.diptykmag.com\/wp-content\/uploads\/2024\/12\/70-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"900\" \/>\n\t<meta property=\"og:image:height\" content=\"900\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/shop\\\/diptyk-70\\\/\",\"url\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/shop\\\/diptyk-70\\\/\",\"name\":\"Diptyk #70 — Diptykmag\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/shop\\\/diptyk-70\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/shop\\\/diptyk-70\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.diptykmag.com\\\/wp-content\\\/uploads\\\/2024\\\/12\\\/70-1.jpg\",\"datePublished\":\"2024-12-29T09:35:34+00:00\",\"dateModified\":\"2026-08-27T09:06:06+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/shop\\\/diptyk-70\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/shop\\\/diptyk-70\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/shop\\\/diptyk-70\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.diptykmag.com\\\/wp-content\\\/uploads\\\/2024\\\/12\\\/70-1.jpg\",\"contentUrl\":\"https:\\\/\\\/www.diptykmag.com\\\/wp-content\\\/uploads\\\/2024\\\/12\\\/70-1.jpg\",\"width\":900,\"height\":900},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/shop\\\/diptyk-70\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/home-page\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Diptyk #70\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/\",\"name\":\"Diptyk Magazine\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/#organization\",\"name\":\"Les \u00c9ditions Art En Stock\",\"url\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.diptykmag.com\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/Logo-Diptyk-Black.svg\",\"contentUrl\":\"https:\\\/\\\/www.diptykmag.com\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/Logo-Diptyk-Black.svg\",\"width\":435,\"height\":141,\"caption\":\"Les \u00c9ditions Art En Stock\"},\"image\":{\"@id\":\"https:\\\/\\\/www.diptykmag.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Diptyk #70 — Diptykmag","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.diptykmag.com\/en\/shop\/diptyk-70\/","og_locale":"en_US","og_type":"article","og_title":"Diptyk #70 — Diptykmag","og_description":"Hiver 2024 L\u2019\u0153il \u00e9coute \u2013\u00a0Malala Andrialavidrazana, me\u0301tamorphose de l\u2019imagerie coloniale. Portfolio \u2013\u00a0Mustapha Azeroual, l\u2019abstraction comme que\u0302te d\u2019absolu. Story \u2013\u00a0Biennale de Dakar, pour en finir avec les oppressions syste\u0301miques. Portrait \u2013\u00a0 Bilal Hamdad, le choix du naturalisme. Dossier \u2013\u00a0Jeunes photographes en que\u0302te d\u2019e\u0301cosyste\u0300me. Reportage \u2013\u00a0Friche La Belle de Mai, la\u0300 ou\u0300 l\u2019art marocain se re\u0301invente. 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