N° 75 — Spring 2026

Diptyk #75

When Geopolitics Catches Up with Art

Diptyk #75 explores current trends in contemporary art in Morocco, Africa and around the world, at a time when geopolitics is catching up with art. From the first Moroccan pavilion in Venice to the Diriyah Biennale, from Art Basel Qatar to the Palestinian scene, this issue features reports, analyses, interviews and portfolios that shed light on the artists, exhibitions and events shaping the contemporary art scene.

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Language: French

Diptyk #75

Au sommaire

  • News – Brahim Alaoui: “Photo Tanger wants to democratize access to photography”
  • Exhibitions – Melehi, Younès Rahmoun, Aziz Abou Ali, Statues Also Breathe, Mickalene Thomas, Soufiane Idrissi, Project a Black Planet…
  • The Eye Listens – Lorna Simpson: showing less to say more
  • Portfolio – Yanis Ratbi, an aesthetic of the in-between
  • Story – The Moroccan pavilion at the Venice Biennale; Ibrahim Mahama, rethinking the meaning of art; Palestine, the blind spot of the visible; The Diriyah Biennale, the Gulf’s cultural choreographies; In the studio of Mohamed Saïd Chair; The Malta Biennale, trajectory as territory
  • Art Market – The global art market regains its colour; Young collectors are changing the game; 1-54 at its tipping point; Art Basel Qatar, a first edition with the air of a biennale; Bahman Mohasses, the “Iranian Picasso”
  • Books – Africa between memories and hopes; Filming under control: the beginnings of Moroccan documentary
  • The Collection – Chaïbia Tallal, a cosmic energy
  • The Incubator – Sarah Smahane, identity between the lines

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