N° 74 — Winter 2025

Diptyk #74

Imagining Futures from the South

Diptyk #74 explores current trends in contemporary art in Morocco, Africa and around the world, with a special focus on the scenes of the Global South inventing their own futures. From the “Nigerian miracle” to the first Bukhara Biennale, from Partcours in Dakar to Abu Dhabi Art, this issue features reports, analyses, interviews and portfolios that shed light on the artists, exhibitions and events shaping the contemporary art scene.

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Language: French

Diptyk #74

Au sommaire

  • News – Nadia Sabri: “A museum is a mirror of society”
  • Exhibitions – Plural abstraction at the CDG, Khadija Jayi, Karim Bennani, the INBA generation, Abdelkrim Ouazzani, Aïcha Snoussi, Kamil Bouzoubaa-Grivel…
  • The Eye Listens – Bilal Hamdad: the possibility of another canon
  • Portfolio – Léonard Pongo, this is not a landscape
  • Story – The Nigerian miracle, an African modernity on the move; Bukhara, a biennale redrawing the cultural map; Nassim Azarzar, on the road; Black Joy: the visual history of an affirmation; Partcours in Dakar, a first edition without Koyo
  • Art Market – MENA, a market that dreams bigger; Abu Dhabi Art, the last stop before the big leap; 1-54 Marrakech tightens its 7th edition; Young artists in search of a market; Youssef Nabil makes his cinema in the United States
  • Books – Moroccan singularities; Holiday Powers: “Modernism is tied to the struggles of decolonization”
  • The Collection – Miloud Labied, between lyricism and minimalism
  • The Incubator – Nourredin Id Ben Bouih archives disappearance

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