N° 73 — Autumn 2025

Diptyk #73

The Dynamics of the Emerging Scene

How does a young art scene find its place? Diptyk #73 follows the dynamics of Morocco’s emerging scene: the Mustaqbal Prize, ten years of the Comptoir des Mines, the Tizintizwa collective and the meteoric rise of Youssra Raouchi, on the cover. Through reports, analyses, interviews and portfolios, this autumn 2025 issue also looks towards Africa and the world, from Yto Barrada to Simone Leigh.

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Language: French

Diptyk #73

Au sommaire

  • News – Nadia Sabri, new director of the MMVI; Amina Agueznay will represent Morocco in Venice
  • Exhibitions – The Mustaqbal Prize, “Aïta”, Marc Riboud and Bruno Barbey at the MMVI, Nabil El Makhloufi, Ziad Naitaddi, Mohamed Lekleti, Abdessamad El Montassir, Amine Asselman…
  • The Eye Listens – A psychoanalysis of the Moroccan veil
  • Portfolio – Matilde Gattoni, the aesthetics of despair
  • Story – Yto Barrada, botany as an act of resistance; Youssra Raouchi: “I paint the way one enters a dream”; Comptoir des Mines, ten years that wrote art history; Vanessa Branson: “The Marrakech Biennale inspired many biennales around the world”; The Tizintizwa collective, united against cultural homogenization; Hiba Baddou, a mythology of the future
  • Art Market – Millennials versus millionaires: the new duel; Paris-London: the autumn match; Why invest in a work by Fatima Mazmouz?; From the Golden Lion to a record, Simone Leigh makes her voice heard
  • Books – Landscape formats; Françoise Huguier: “At the Rencontres d’Arles, I have never seen an exhibition about Africa”
  • The Collection – Saâd Ben Cheffaj’s history lesson
  • The Incubator – Amina Yahia revives the memory of post-colonial Egypt

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