N° 72 — Summer 2025

Diptyk #72

A Need for Poetry and Slowness

Faced with a world that keeps accelerating, contemporary art is claiming a need for poetry and slowness. Diptyk #72 starts from there to explore the insolent vitality of figurative painting, pay tribute to Koyo Kouoh in Venice and meet those building other narratives, from Sultan Sooud Al-Qassemi to Salima Naji. Reports, analyses, interviews and portfolios make up this summer 2025 issue, between Morocco, Africa and the world.

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Language: French

Diptyk #72

Au sommaire

  • News – A Moroccan pavilion at the Venice Biennale; Randa Maroufi wins an award at Cannes
  • Exhibitions – Moroccan photographers in the Off programme of the Rencontres d’Arles, Hassan Darsi, the MMVI’s new permanent hang, Ziyad El Mansouri, Khalil Nemmaoui, the Bank Al-Maghrib Museum, M’barek Bouhchichi, Latifa Toujani, Ghizlane Sahli…
  • The Eye Listens – When art deciphers the black box of AI
  • Portfolio – Iman Zaoin, resisting the instant
  • Story – Venice in the wake of Koyo Kouoh; The insolent vitality of figurative painting; The working-class melancholy of Mounir Eddib; Sultan Sooud Al-Qassemi, builder of an Arab counter-narrative; Tasweer, the beating heart of contemporary Arab photography; Salima Naji: “A culture that endures is a deep culture”; Jnane Élisabeth, living in art and sharing it
  • Art Market – Does the world really need a new fair?; Moroccan artists: a stalled secondary market; VIMA sets up a Mediterranean market in Cyprus; Why invest in the work of Khalil Nemmaoui?; Marlene Dumas, the world’s most expensive woman painter
  • Books – Views of Morocco; Nadia Sabri and Rachida Triki: “If we forget that we fought for our rights, we risk losing them”
  • The Incubator – Sanaa Abouayoub, art as a ritual of repair

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