N° 67 — Spring 2024

Diptyk #67

Does Beauty Have a Future in Art?

Does beauty still have a place in contemporary art? Diptyk #67 puts the question to artists, then confronts it with burning current events: the rift in the art world over Israel-Palestine, the Dakar Biennale, art in public space. This spring 2024 issue brings together reports, analyses, interviews and portfolios, with the poetry of Etel Adnan and Abdellatif Laâbi, and the ochre memories of Daoud Aoulad-Syad.

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Language: French

Diptyk #67

In this issue

  • News – The Casablanca School in Venice; Desert X AlUla, 3rd season; The Rencontres de Bamako turn thirty
  • Exhibitions – L’Atelier Musée de l’Estampe, Hassan Darsi, “Présences arabes” in Paris, “Mutations” at the Espace d’art Montresso, Imane Djamil…
  • Work in progress – Echoes from contemporary scenes
  • The Eye Listens – The poetic languages of Etel Adnan
  • Portfolio – The ochre memories of Daoud Aoulad-Syad
  • Story – Does beauty have a future in art?; Israel-Palestine, the art world is splitting too; Salimata Diop: “The Dakar Biennale shows the perspective of those who have been excluded”; Aliou Diack, shaman painter; Abdellatif Laâbi, a life of poetry; Why does art struggle to occupy public space?; Cuba, modern and contemporary
  • Art Market – The market is slowing down, but it is doing fine!; Starting a collection at Arco Madrid; Art Dubai acclaims Moroccan artists; Abdoulaye Konaté patiently weaves his market value
  • Books – Thinking the decolonial
  • The Incubator – Elias Loudiyi, exploring his genealogy through photorealism

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