N° 64 — Summer 2023

Diptyk #64

Craft, a Powerful Matrix of Contemporary Art

Artists are leaving the studio to reconnect with material, gesture and know-how. Diptyk #64 devotes its feature to craft, a powerful matrix of contemporary art, from Amina Agueznay’s random workshop to the Fondation H in Madagascar. This summer 2023 issue also follows the Casablanca School at the Tate, Jidar’s street art and Kafila’s artistic walk. Reports, analyses, interviews and portfolios complete it, between Morocco, Africa and the world.

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Language: French

Diptyk #64

In this issue

  • News – The Moroccan scene meets the Portuguese public; MoMA buys a piece “made in Morocco”; Barthélémy Toguo and Ai Weiwei soon in Rabat
  • Exhibitions – MuPho in Saint-Louis, Bachir Demnati, “Dans l’élan du geste”, “Errance(s)” at the Fondation Montresso, “Kourtna” at the National Museum of Photography…
  • Work in progress – Echoes from contemporary scenes
  • The Eye Listens – Faith Ringgold, or the dignity of the visible
  • Portfolio – Abdelhamid Belahmidi, breaking the chains of post-modern society
  • Story – The Casablanca School comes to the Tate; Craft, the new matrix of contemporary art; Amina Agueznay’s random workshop; The Fondation H weaves its powerful web in Madagascar and around the world; Jidar, the street art lab; La Source du lion, from the intimate to the public; Kafila: walking is creating
  • Art Market – Textiles have never sold so well; 1-54 New York through a collector’s eye; The KunstRAI fair seals cooperation between Morocco and the Netherlands; How Emmanuel Taku became so sought after; Rufai Zakari quietly breaks through at auction
  • Books – Inhabiting the world
  • The Making of a Gaze – Kolona min torab, by M’barek Bouhchichi
  • The Incubator – Ahmad Karmouni, salt as material

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