N° 53-54 — June–September 2020

Diptyk #53-54

New Identities

During the 2020 health crisis, the art world moved online and new voices came to the fore. Diptyk #53-54, the summer double issue, explores these new identities. It tells of a Dakar Biennale that did not take place, the rise of Moroccan photography and an Ivorian scene that counts. Portfolios, interviews and analyses complete the issue, from a portrait of gallerist Cécile Fakhoury to galleries reinventing themselves online.

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Language: French

Diptyk #53-54

In this issue

  • Game changer – Duro Olowu, the culture of style
  • News – Patrice de Mazières has passed away; African art, the state of play; A busy restart for the FNM
  • Work in progress – Echoes from the Moroccan scene
  • Exhibitions – China-Africa at the Centre Pompidou, The Casablanca School at the IMA Tourcoing, “Croyances : faire et défaire l’invisible”, Mohssin Harraki, William Kentridge, An east wind on modern art…
  • Portfolio – Alun Be, awakener of consciousness; Maïmouna Guerresi, Sabâatou Rijal, seven saints to turn to
  • Stories – The Dakar Biennale did not take place; The Fouad Bellamine enigma; Test tubes of art, biennales are put to the test in turn; The digitization of art, a revolution?; Moroccan photography takes off; Côte d’Ivoire, a scene that counts
  • Art Market – Galleries reinvent themselves online; A portrait of Cécile Fakhoury; Chart Art Fair, the Scandinavians opt for a 100% female fair; How to buy an Omar Victor Diop?; How to buy a Lorna Simpson?; Henry Taylor, a lightning rise; Sales: business picks up again
  • Books – When comics turn documentary; Paris is a moveable feast; Remember Kinshasa, 1974
  • The Incubator – Othmane Bengebara, Our own land

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