N° 47 — February–March 2019

Diptyk #47

Africa Meets at 1-54 Marrakech

For its second edition, the 1-54 Marrakech fair moves into La Mamounia with 18 galleries: Africa has a date in Marrakech. Diptyk #47 devotes its feature to it and asks Felwine Sarr about the restitution of African heritage. This February–March 2019 issue also publishes Simon Njami’s intimate portrait of William Kentridge and Moroccan youth photographed by Karen Assayag. It also features Fouad Bellamine and Brice Marden. Reports, analyses and portfolios complete the issue.

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Language: French

Diptyk #47

In this issue

  • News – Hassan Hajjaj customizes the MEP; La Chambre Claire goes African; Felwine Sarr: “To restitute is to found a new relational ethics”
  • Game changer – Julie Abissegue, betting on digital for African art
  • Exhibitions – The ideal collection; Africa’s spleen at the Comptoir des Mines; Brice Marden, and there was light; Fondation Montresso: “Artists do here what they do not do elsewhere”; Fouad Bellamine, Moroccan blues
  • Portfolio – Karen Assayag, a Moroccan youth
  • Story – William Kentridge, the mirror of our vanities; 1-54 Marrakech, act 2
  • Art Market – The South African exception; Art Dubai put to the test of geopolitics
  • The Collection – Clotilde and Bernard Herbo
  • Books – Morocco in books
  • The Incubator – Mohamed Haïti, miniatures of the heritage of Moroccan cities

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