N° 46 — December 2018 – January 2019

Diptyk #46

Farid Belkahia and the Casablanca School

“There is no such thing as women’s art”: yet it is a series of women artists who drive Diptyk #46. Fatima Mazmouz tells the story of the Bouzbir district, Mariam Abouzid Souali restages the Raft of the Medusa and Safaa Erruas opens her studio. This December 2018–January 2019 issue also looks back at Farid Belkahia and the Casablanca School, on the cover, and reports from Lagos, an arty city. Interviews, analyses and portfolios complete the issue.

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Language: French

Diptyk #46

In this issue

  • News – Belkahia at the Pompidou; Maribel López, future director of ARCOmadrid; Sandra Laguna presides over the destiny of the Louvre Abu Dhabi
  • Opening Words – Abdelkader Damani prepares the Rabat Biennale
  • The Eye Listens – Bruno Nassim Aboudrar, Bouzbir, a place of women’s suffering
  • Exhibitions – Mariam Abouzid Souali at the Comptoir des Mines, from one shipwreck to another; Marion Boehm, reweaving history; Mathaf, fist still raised; MAC VAL, a sense of hospitality; Hendrik Beikirch, we are all Siberians; Emeka Ogboh, in the city that never falls silent…
  • Portfolio – Fatimzohra Serri, what do young girls dream of?
  • Story – Farid Belkahia and the Casablanca School of Fine Arts, the invention of another modernity; Mariam Abouzid Souali, painting as child’s play; In the studio of Safaa Erruas; Abdellah Taïa, the cry of the tattooed girl
  • Art Market – Lagos, the new crossroads of art; Copyright / copywrong: where does inspiration end and plagiarism begin?; Artcurial stays loyal to contemporary African art and Marrakech; Mexico, an open-air museum; “I wanted to bear witness to a different vision”
  • The Collection – Lina Lazaar
  • Books – Drawings to read
  • The Incubator – Kamal Saki, the erosion of time and memory

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