N° 32 — February–March 2016

Diptyk #32

Can you be a revolutionary and love flowers?

Can you be a revolutionary and love flowers? Diptyk #32 explores the connections between art and botany—from Camille Henrot to Mona Hatoum—and shows how plants also tell political stories. This February–March 2016 issue pays tribute to Leila Alaoui, who died in the Ouagadougou attack, and takes a behind-the-scenes look at the 6th Marrakech Biennale. It also features a portfolio by Hicham Benohoud, an interview with Mounir Fatmi, and a tour of the markets in Doha, Dubai, and Madrid.

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Language: French

Diptyk #32

In this issue

  • Tribute – Simon Njami: “Leila Was a Promise”
  • The Illustrator – Aïcha El Beloui
  • News – Big Things in Store for the 2016 Duchamp Prize; The Beat Generation at the Centre Pompidou; Louma Salamé Takes the Reins of the Boghossian Foundation
  • Opening Remarks – Mounir Fatmi
  • Exhibitions – Taysir Batniji, Blurred Images; Ilias Selfati; Exile and Migration at the CHRD in Lyon; “Made in Algeria,” “I Was Born Here”; Nabil El Makhloufi; “Taste” at the Jewish Museum; TANC, New Horizons…
  • Portfolio – Hicham Benohoud
  • Story – Art and Botany: Can You Be a Revolutionary and Love Flowers?; Hervé Paraponaris; Morad Montazami, Carte Blanche to Faouzi Laatiris; Behind the Scenes at the 6th Marrakech Biennale
  • Art Market – Doha, Dubai, Artistic Cities; ARCOmadrid, a Fair That’s Not So Low-Key; Urban Art, the Auction; Copyright, an Expert’s Perspective
  • Books – What Is Digital Art?
  • The Incubator – Soukaina Joual

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