N° 15 — October–November 2012

Diptyk #15

Art in Morocco... Now

In the fall of 2012, the Moroccan art scene set out to conquer Belgium with the Daba season, and Diptyk #15 dedicated its feature “Art in Morocco… now” to it. This October–November issue also features a profile of Younès Baba-Ali, who describes himself as a “troublemaker,” and publishes Charif Benhelima’s *Harlem*. It explores the fusion of dance and the visual arts and spends a day at Documenta. It also features a visit to L’Usine, an art hub in a former industrial site, and an interview with collector Reda Moali.

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Language: French

Diptyk #15

In this issue

  • News – A Day at Documenta; Abdelaziz Zerrou: “I Tell a Story Stained with Blood and Symbols”; Spotlight on Arab Art; Zineb Sedira Opens an Artist-in-Residence Program in Algiers; Morocco in the Spotlight at the Louvre’s Department of Islamic Art; The Louvre Abu Dhabi Acquires Its First Photographic Works
  • Exhibitions – Zakaria Ramhani, Making the Canvas Scream; Philippe Cazal, The Letter: An Abstract and Playful Form; Amparo Sard, Violent Beauty; Monia Abdelali, Humor and Painting: An Explosive Combination; The World Is Not Enough…
  • Story – L’Usine, a Brownfield Site for Art; African Art, Here and Now
  • Portfolio – Charif Benhelima, “Harlem on My Mind”
  • Story – Reda Moali: “The very idea of a collection scares me”; Daba, Art in Morocco, Now; A Brief Plea for Engaged Art; Younès Baba-Ali: “I’m a pain in the neck”; Younès Baba-Ali, the entire universe in a single atom; Art and dance, dancers and visual artists, fighting the same battle; Chourouk Hriech, drawing, the backbone of experimentation
  • Art Market – The Must-See FIAC; Sotheby’s Auctions Off Treasures from the Guerrand-Hermès Collection; Records on the Horizon for Christie’s Dubai
  • Books

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