N° 14 — February–March 2012

Diptyk #14

Nermine Hammam's Portfolio: Soldiers of Paradise

The 2012 Marrakech Biennale aims to be progressive and socially engaged, and Diptyk #14 sets out to report on it and see the world in a different light. On the cover, Nermine Hammam’s *Soldiers of Paradise* opens this February–March 2012 issue. It also explores video art in Morocco—conceptual, abstract, and unorthodox—and follows the Saudi art scene and the Tunisian scene as it “shakes off” its taboos. The issue features an interview with Bouchra Khalili. On the art market front, Art Dubai is drawing in collectors, and African contemporary art is undergoing a major transformation.

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Language: French

Diptyk #14

In this issue

  • News – Mohamed Abusal: “In Gaza, a subway would be ideal”; Umm Kulthum Through the Lens of Shirin Neshat; Serra’s “7” Reaches Its Peak in Doha; Majorelle Opens His Berber Museum; Yto Barrada’s Custom Collection at Vuitton
  • Exhibitions – Otobong Nkanga at L’appartement 22, exploring sensory memory; Yamou at L’Atelier 21, toward the autonomy of painting…
  • Portfolio – Nermine Hammam, The Soldiers of Paradise
  • Story – We Need to Talk: In Saudi Arabia, art is breaking the mold; Video art, conceptual art, abstract art, “impure” art; Arab World Institute: The Tunisian art scene is “shedding” its taboos; Bouchra Khalili: “Exile provides us with new narrative forms”; Marrakech Biennale: Seeing the World Differently
  • Art Market – Contemporary African Art: A Work in Progress; Auctions: In Morocco, Interest in Modern Art Remains Strong; Art Dubai Establishes a Long-Term Presence
  • Books

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