N° 3 — December 2009 – January 2010

Diptyk #3

Emerging art: a very trendy market

Has emerging art become a trendy market? Diptyk #3 explores this question for the winter of 2009–2010. This issue features a portfolio by Leila Alaoui, straddling the line between documentary photography and fine art photography, and takes a look inside Najia Mehadji’s studio, for whom painting is a rhythm of the body. It revisits Kacimi and his geometry of space, and profiles Saâdane Afif. It also explores artists of the diaspora and devotes a feature to the arts in Marrakech. Finally, readers can discover Irving Penn’s photographs of Morocco.

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Language: French

Diptyk #3

In this issue

  • Portfolio – Leila Alaoui: Documentary Photography, Fine Art Photography
  • Column – Artists of the Diaspora: An Identity Between Two Shores
  • The Workshop of – Najia Mehadji: Painting as the Rhythm of the Body
  • Story – Kacimi: Signs, the Body, and the Geometry of Space
  • Feature – Arts in Marrakech
  • The Artist—Saâdane Afif, in Search of Poetic Resonance
  • Photography – Irving Penn’s Moroccan Photographs

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