N° 1 — Summer 2009
Is there such a thing as contemporary Arab art?
In its very first issue, published in the summer of 2009, Diptyk poses a fundamental question: Is there such a thing as contemporary Arab art? Mounir Fatmi, featured on the cover, discusses his desire to build and destroy. This first issue also features a portfolio by Lalla Essaydi, showcasing a subversive intimacy, and explores the Arab art scene, which made a strong showing at the Venice Biennale. We meet gallery owner Kamel Mennour, a “sherpa for the artist,” and see art taking over the former slaughterhouses of Casablanca.
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