N° 11 — Summer 2011

Diptyk #11

Arab Artists Shine at the Venice Biennale

In the summer of 2011, artists from the Arab world took center stage at the 54th Venice Biennale, and Diptyk #11 visited their pavilions, from “The Future of a Promise” to an edition deemed uneven. This summer 2011 issue features an interview with Yto Barrada, for whom “family in art is always a work in progress,” and curator Abdellah Karroum. It follows three Moroccan women in New York: Amina Agueznay, Safaa Erruas, and Najia Mehadji. It also features Jaume Plensa’s monumental portfolio, a behind-the-scenes look at the Marrakech Art Fair, and a tribute to Claudio Bravo.

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Language: French

Diptyk #11

In this issue

  • News – New Museum in Marrakech, Abderrazzak Benchaâbane; Jean-Marc Tingaud, Family Photos; Meryem El Alj, Forms and Counterforms; Le Grand Comptoir, a Gallery Owner Passionate About Graffiti…
  • Notebook – What Drives Collectors?
  • Portfolio – Jaume Plensa: The Art of the Monumental
  • Story – Marrakech Art Fair: Behind the Scenes; Yto Barrada: “My family in art is still a work in progress”; Abdellah Karroum, an alternative vision; “Senses and Essence,” three Moroccan women in New York; Artists from the Arab world shine at the Venice Biennale; Claudio Bravo, farewell—Morocco will not forget you…
  • Art Market – Mixed Results for Prestigious New York Auctions; A Slump at Art Brussels; Casa Bidders Seek an Exception; Who’s Afraid of Ai Weiwei?; Fatna Gbouri, a Moroccan Folk Legend
  • Books

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